Shedding light on an old collection.

a-real-toy-camera.jpg

Orangemonkie’s Foldio2.

When first I heard of Orangemonkie’s kickstarter for the original Foldio, I was excited about the possibilities a portable lightbox could afford. The only problem I had with the first version was size. At only 10″, it seemed to miss the mark.

I was encouraged to see a 15″ model, Foldio2, and it took me a while to come up with a project worthy of the $69 asking price.

Unboxing the Foldio2 was a bit like what you’d experience with Apple products. Well thought out, tightly constructed, and cleanly packaged. They’ve even thought to include plugs for every conceivable location here on planet Earth.

The 2 LED strips with dimmers were easy to adhere, and adding any of the 4 backdrops was a cinch. The use of magnets to hold things together works well and is just brilliant.

It’s big enough to handle small-to-medium sized objects, small enough to store easily. The Foldio2 collapses into a nice thin, square package and it even has a useful handle at the top for easy transport.

foldio2-in-use-sized.jpg

The project? Along with my usual digital, pinhole, and instant cams, I’m going to use film cameras over the next couple of years and I want to share the images I make with my 35mm and 120 cameras. I’ll be using negative and positive film, if all goes according to plan. My film stash has been neglected over time and I want to use it all up before it ends up being useless.

As part of the project I want to include new shots of the cameras I use. I have a healthy collection that’s well documented on Flickr, but the images I made were shot with inconsistent backgrounds and I’d like to clean all that up.

The Foldio2 will make this goal much easier to reach.

spartus.jpg

Lines.

0871-i-gotta-pee.jpg

I gotta pee.

I recently made the drive into Austin to attend an opening for George Brainard, a long-time Austin resident and amazing portrait photographer. George was showing his work as part of the inaugural FotoATX Festival, a month-long celebration of Austin photographers, currently open at libraries, galleries, and community centers across the city.

His work was displayed on the 6th floor of the new Austin Public Library, and this was my first visit to the building.

I made my way to the 5th floor via elevator, then walked up one flight of stairs to the top floor.

First things first. I had to pee.

I found a men’s bathroom right near the staircase, made my way through the door, found an empty stand-up, and took care of business. Whew! It was then that I noticed the glass-tiled wall behind the fixture and the amazing reflections of the long, thin pieces of tile in the chrome.

I finished up, got myself together, washed my hands then swung my LX100 from around my neck and shoulder, walked back and composed this shot.

Yes, it did feel a bit weird. No, there wasn’t anybody else in there. I’d have skipped the shot if there was.

The rest of the library is gorgeous, too.

Words.

liberty.jpg

Right before my eyes.

There are certain patterns – that I’m totally aware of – in the types of photographs that I make.

words-x-4-01.jpg

If one was to look through my Flickr stream (the one platform where I store *ALL* of my work) these patterns are quite recognizable.

words-x-4-02.jpg

One source of subject matter that I repeat with my images is words. Signage and grafitti, mostly. I think it has a lot to do with my interest in design and type.

words-x-4-03.jpg

They’re in front of us at all times. Guiding us. Informing us. Warning us. Making us laugh, even.

words-x-4-04.jpg

Dogs.

jose-1080.jpg

The people you meet.

This is José. He and his wife, Diane, lived down the street from us in Santa Clara. Super nice guy. Into film photography. He gave me a bunch of expired film from his fridge in their garage. I mean, how could you not like a guy that gives you film for free?

Over the years, whenever I walked any of our dogs around the ‘hood chances are we’d see one or two neighbors out talking, doing yardwork, or just plain fiddlin’ in their driveways. Little devil that I am, I always made a point of interrupting their day when the pups and I came upon them working.

15, 20, 30 minutes would pass as we talked about goings on in the ‘hood, local politics, and home projects.

Dogs are such awesome ice-breakers when it comes to meeting and talking to people. I mean, who doesn’t love dogs?

That’s the one thing I miss about California. People were always out. Here in Texas, in our new neighborhood, I don’t see as many folks dinkin’ around their yards.

I made this picture with a Holga toy camera. I still have that camera. And some 120 film. I should put the two together and stick it in my camera bag.

Prints from film cameras.

prince.jpg

So many choices.

I’ve been digging through the ol’ Flickr archive, looking at pictures I made with film cameras about a decade back. They’re all digital scans from negatives I personally developed or paid to have processed.

The reason behind this dig back in history is I’m hoping to print and display a good number of these images at February’s meeting of the North Austin Pfotographic Society.

Every month the club has a member competition that’s usually judged by that night’s speaker. It’s a lot of fun to participate in the contest and each judge has their own personal biases, so you never know how judging’s gonna go!

During the evening’s meet and greet at the very beginning, a club member displays samples of their work in printed form. I’ve done it a couple of times in the past… the inaugural back in January 2017 and just a while back in October.

The February 2018 meeting is Oldies Night, so any 2 photos can be entered and the normal 2 year restriction is abandoned for this annual open-themed contest. Anything pretty much goes.

I thought it would be a great idea to display prints of my older work from the many film cameras I have in my collection.

Here are a few examples…

goop-ars1.jpg

Perspective. Polaroid Colorpack II, Fujifilm FP3000B Negative scan. May 7, 2009.

twoboats-twotrees-twopots-twocrosses.jpg

Two boats, two trees, two pots, two crosses. Holga 120N, Fujifilm Neopan Acros 100. December 15, 2006.

classic-hoody.jpg

One classy hoody. Canon Rebel T2, Kodak BW400CN. June 9, 2009.

eye.jpg

Eye. Olympus 35RC. Kodak Ektachrome 160T – Xpro. March 10, 2008.

nothappy.jpg

Not happy. Agfa Click I. Kodak TMAX100. December 28, 2007.

fully-open-rose.jpg

Expired. Minolta X-570. Ilford XP-2. December 5, 2006.

sjma.jpg

Art as art. Holga 120N. Kodak 400NC. October 20, 2006.

waiting.jpg

Waiting. Holga 120N. Ilford HP5 Plus. April 13, 2006.

 

Happy new year!

snow-rings.jpg

2018 holds so much promise.

2017 was our second full year of Texas Life. We’re finally settled in.

And in that year I’ve met a lot of great people and discovered that there is much to see and do in Central Texas.

Retirement is definitely agreeing with the Mrs. and me. Our new home is more than we could ask for. There are just a few home projects left to complete.

There are plans for travel, not only within the Lone Star State, but to surrounding states and beyond.

I’m going to dedicate this year to improving my health. I’d like to live at least as long as my Mom. She reached 90 years old. The only way that’s going to happen is by making positive changes in my diet, committing to daily exercise, and striving to keep my mind active by reading, making art, and practicing guitar.

And, well, photography.

I’ve updated the ‘Galleries’ section of this blog with a selection of my personal faves from 2017. Check ’em out…