It was the next logical step, and my last Pentax DSLR before making the move to Micro Four Thirds.
With plenty of Pentax glass in my collection when the K10D was announced, I still had a lot of miles left in my *ist D and wasn’t in any hurry to make the upgrade.
So I waited nearly two years after its realease before adding the K10D to my kit.
It’s a bit bigger physically than the *ist D, but comfortable gripping with my right hand.
I added a couple of Sigma primes, the 30mm ƒ/1.4 and the 28mm ƒ/1.8 macro, and the Lensbaby Composer Pro Sweet 35 combo. I get a lot of use of these 3 lenses, plus a very big and heavy Sigma 27-70mm ƒ/2.8 macro. I also have the SMC Pentax-FA 50mm ƒ/1.4.
I still take this rig out. This and the *ist D both have a special place in my collection.
Resolution: 10 megapixels
Max image size – 3872 x 2592
Display: 2.5in LCD @ 210,000 pixels
ISO: 100, 200, 400, 800, 1600
Shutter Speeds: 30 sec – 1/4000 sec
Metering: Center-weighted, evaluative, spot
Dimensions: 5.6in x 4in x 2.8in
Weight: 1.57 lbs
Power: Pentax D-Li50 lithium ion rechargeable battery
Memory card: SD/MMC/SDHC
Olympus 35 RC.
To be honest, this camera was an impulse eBay buy. I’ve only run one roll of fill through it, a 24 exposure roll of Kodak 160T that I had cross processed.
One good thing about this project is that I’m digging out all these old cameras and playing with them. I recently ordered (and quickly received) a set of replacement light seals and plan to put this camera back in commission soon.
It’s small and light, uses 35mm film, and has a 40mm ƒ/2.8 lens. What’s not to like?
Film type: 35mm
Weight: 14.5 oz
Lens: E. Zuiko 40mm ƒ/2.8 – ƒ/22
Focus: 3′ to infinity
Filter size: 43.5
Shutter speeds: B, 1/15 – 1/500
ASA: 25 – 800
Mystery #1 solved.
These are the only four out of 16 exposures that came out decent from that undeveloped roll of Fujifilm Neopan Acros 100 I posted about earlier.
The others were either too blurry or the light leak from the fat roll made the shot unusable.
Still pretty cool.
Not a clue.
I’m going to develop this and another roll today. I honestly can’t remember what this one’s all about.
I’ll know soon enough, though.
About 9 minutes in D76 1+1. I’ll have to presoak, then put this and the Holga roll of Pan F Plus in the same tank.
I botched the Hassy roll of Pan F Plus trying to get it on the reel. That happened yesterday. Failure happens, lessons learned.
As soon as it was released, I’d had my eye on the X100 but wasn’t ready to make the purchase.
And then when I was ready, Fukishima happened. So I waited some more, which turned out to be a good thing, because I was able to get my hands on the X100S, its successor.
The X100S is a classic camera in its look, it’s feel, and its operation. Everything you need to operate in full manual mode is available on the outside of the camera. I love that.
The Fujifilm menu system is one of my faves. It’s intuitive and just plain simple to use.
All the buttons and dials on the camera are easy to access and add greatly to the functionality of this camera. Smooth.
The only issue I had was holding the camera comfortably, but a silver LensMate thumb rest took care of that problem.
Plus I added a black Gariz half-case and the silver JJC lens shade.
Resolution: 16 megapixels
Max image size: 4896 x 3264
Display: 2.8in LCD @ 460,000 pixels
Viewfinder: Electronic and optical, 2,350,000 pixels
ISO: Auto, 80, 100, 200, 400, 800, 1600
Shutter Speeds: 00 sec – 1/4000 sec
Focal Length: 35mm
Metering: Multi-segment, average, spot
Dimensions: 5in x 2.91in x 2.13in
Power: Lithium-Ion NP-95 rechargeable battery
Memory card: SD/SDHC/SDXC
I finished up a roll of Fujifilm Neopan Acros 100 in my Zero Image 6 x 9 pinhole camera yesterday.
That roll of film has been in the camera for around 10 years, if not more. Not a single shot taken. The camera is pristine, having not been used yet. I honestly can’t even remember when I bought it, but it had to be around 2008-2010.
But I had a roll of film in it. I guessed it was black and white. And I guessed it was Acros 100. And after running through the roll and opening the box, I was surprised to find my guesses were spot on.
So, I remembered seeing another roll of Acros 100 in a plastic bag I had placed in a box while moving. It didn’t take long to find it.
The roll (above) is actually labeled. I have no clue what’s on the roll. And the scary part is the film and backing paper is really loose on the spool. I hope the edges aren’t exposed to light.
I’ll find out tomorrow when I develop both rolls at the same time.
Wish me luck.
Leica D-Lux 4.
I saw a picture of this camera in Kelly Castro’s Flickr stream, with the 24mm viewfinder. I had to have it. So cool.
And even though it’s a Leica branded clone of Panasonic’s Lumix LX-3, it’s still the only Leica I’m likely to own.
I had to add the Franiec grip. As much as I like the simplicity of design, without the grip it was hard to hold. And I also purchased that viewfinder at the same time.
It’s a great little camera with awesome macro capability. Leica glass, too. Duh.
It was my first digital camera that had a switch on the lens barrel for image size settings, and though it couldn’t shoot 1:1 when I purchased it, a firmware upgrade made that possible through the menu system.
I still use this little guy.
Resolution: 10.1 megapixels
Max image size – 3648 x 2736
Display: 3in fixed LCD @ 460,000 pixels
Zoom: 4x digital
ISO: Auto, 80, 100, 200, 400, 800, 1600, 3200
Shutter Speeds: 60 sec – 1/2000 sec
Focal Length: 24-60mm
Metering: Multi, center-weighted, spot
Dimensions: 4.3in x 2.3in x 1.1in
Weight: 8 oz.
Power: Lithium Ion rechargeable battery
Memory card: SD/SDHC