One more.

EZPZ.

Another example of using my iPhone 8 and the @pixllatr to digitize a black and white negative. It’s working quite nicely.

This shot’s from 2006, Billetproof Antioch. Hasselblad 500cm/80mm + Fuji Neopan Acros 100.

Previously unpublished, love all that shiny chrome.

Pixl-latr.

First impressions.

This is my first attempt at using Hamish Gill’s @pixllatr.

I used my iPhone 8, hand held, to make the image. The light source was my 9×12 Artograph lightbox.

I used a mask that I made from chipboard to block out any extraneous light (I’m already thinking of ways to make that gizmo and process a little smoother).

I transfered the shot to my Mac Mini via AirDrop, opened the image in Photoshop, converted to black and white, used the Transform/Skew tool to square it up, then adjusted levels.

The results look pretty darned good. An absolute success.

Side note… I made this image back in 2006 with my Holga 120N using Ilford HP5+ 400. The shot was made in downtown San Jose, CA in front of the convention center on West San Carlos Street, directly across from the main office of The Tech Museum of Innovation, where I worked at the time.

The film was developed by Calypso Imaging, a Santa Clara company that went under not long after these negs were developed. Like many companies at the time, the advent of digital cameras was disastrous for the film industry.

I started developing my own black and white film soon thereafter.

It’s that time again.

brownie-trio

Shitty, shitty, shitty.

The Shitty Camera Challenge is happening soon. It’ll be a little different than last year, I think, as it’s being touted as the “Quarantine Special” this time ’round.

It lasts from June 1 to August 31, 2020. Not exactly clear about when to post, but I’m sure that’ll all get figured out as time progresses.

I looked on eBay to see if I could find some camera that’d be adequately awful to use, but found zero inspiration. I was about ready to throw in the towel.

Larry found it in the garage when they moved into the house…

Fiddlin’ in the studio I came a cross a handful of old 120 spools, mostly plastic, but one of them was metal. It has the words “KODAK FILM” embossed on both ends. Pretty cool.

It reminded me that I have a 50th Anniversary Kodak Brownie that a neighbor in the old ‘hood gave me. That old thing had a roll of Verichrome Pan in it, which I developed using D76. That’s where the spool came from.

wp-brownie

Of the three pictures that turned out (see top of post), two looked to be from the seventies and one looked earlier, maybe late fifties or early sixties.

Larry found it in the garage when they moved into the house, held onto it until late 2007, when he gave the camera to me.

I also have two rolls of expired film to use, a March 1968 expired roll of Verichrome Pan plus a June 2008 expired roll of Plus-X. The camera shoots ~6×9 so I’ll get 8 shots per roll.

 I’ll probably rig something up so I can compose and shoot horizontally…

Today I dusted it off and cleaned the, uh, viewfinder. It’s really not much of a viewfinder, honestly. I’ll probably rig something up so I can compose and shoot horizontally… you know, landscape.

The little red window that’s supposed to show the picture numbers has faded to a fairly transparent orange-ish yellow, so I made a little flap out of a piece of gaffers to cover-up between advancing shots. Should help.

I think it’ll do. Funky, fun, and free.

The party’s over.

 

March 2020 FP4 Party: A few final observations.

It was quite the experience.

I enjoyed every aspect.

It got me out with film cameras, new and old.

I tried a film new to me.

My skill at loading 35mm and 120 film on the Paterson reels continues to improve.

Developing with D76 yielded excellent results.

I found a groove every week.

Looking through Twitter at the #fp4party hashtag for the past 7 days to see what other party-goers posted was a treat.

Followed some new folks, gained a few followers on Twitter, IG, and Flickr.

Thanks to the FP4 Party hosts.

Here are my 7 submissions, last-to-first…

the-gate.jpg

The gate
Georgetown, TX
Saturday, March 7, 2020
ONDU 6×12 Multiformat pinhole, FP4+ 120, D76
FP4 Party Post Week, Day 7

sprinkles.jpg

Sprinkles
Georgetown, TX
Thursday, March 5, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 6

used-cars.jpg

Used cars
Thorndale, TX
Friday, March 6, 2020
Hasselblad 500c/m, FP4+ 120, D76
FP4 Party Post Week, Day 5

bridge-to-nowhere.jpg

Bridge to nowhere
Georgetown, TX
Thursday, March 5, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 4

the-bucket.jpg

The bucket
Round Rock, TX
Monday, March 2, 2020
Hasselblad 500c/m, FP4+ 120, D76
FP4 Party Post Week, Day 3

nine-right.jpg

9 right
Georgetown, TX
Saturday, March 7, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 2

mid-century-emptiness.jpg

Mid-century modern emptiness
Taylor, TX
Friday March 6, 2020
ONDU 6×12 Multiformat pinhole, FP4+ 120, D76
FP4 Party Post Week, Day 1

Necessity…

fingers.jpg

… is the mother of invention.

I got out with my new-ish ONDU 6×12 Multiformat pinhole camera a coupla’ weeks back for FP4 Plus Party.

Multiformat means it’ll shoot 6×6, 6×9, or 6×12.

I have a really cool 8Banners Mc pinhole that’s set to shoot square, a shiny Zero Image 6×9, so the ONDU will be dedicated to 6×12.

As previously noted, I shot 6 images with the ONDU. Of the 6, 3 had my fat fingers showing in the right side of the frame. Those shots were roughly 1 second exposures. Super-sunny days. There are lines in the top of the camera that tell you what’ll be in view for each, and my fingers fell into that space.

I’ve come up with a nifty way to get my digits out of the picture.

I used Illustrator to draw up a simple extender. Then I used a low-tack spray adhesive to affix the drawing to a piece of repurposed plastic from my 2019 Office Max calendar cover. I keep everything. The perfect-sized hole was made using simple hole punch. I sanded the edges and tied a piece of ribbon in the hole at the other end.

The rubber band was already in place – it keeps the shutter from opening while the box is in my camera case. Now it can hold the extender in place and serve as tension when using the extender. Easy to put on, take off.

Simple. Used stuff I had. Great solution. Free.

I started posting shots for the FP4 Plus Party on Twitter today.

Loaded.

plus2-03.jpg

Ready to party.

Three cameras, loaded and ready for FP4 Plus Party. Starting tomorrow.

I may add one more, the tiny Olympus Stylus Epic.

I have a few shots in mind, but mostly I’ll just try to get out as many days as I can and shoot up all these frames… 6 in the Ondu pinhole, 12 in the Hassy, 24 in the Smena 8M.

42 frames over 7 days. Averages out to 6 shots per day.

Should be interesting.

Party on!

ilford-fp4plus-1080.jpg

Ilford FP4 Plus party.

This’ll be my first FP4 Plus Party, and in more ways than one – I’ve not used the film before.

The plan: 6 shots in the Ondu 6×12 Multiformat pinhole, 12 shots in the Hasselblad 500c/m, 24 shots in the Smena 8M.

I’ll need to mix up a fresh batch of D76.

It seems this is primarily a Twitter thing, but I’ll post a few scans here and eventually post a few faves on @dogbonesoup, too.

March 2-8: shoot week
March 9-15: dev/scan week
March 16-22: post week
March 23-29: lamentation week

Should be fun.