The Blue Set.

Check your settings.

I make mistakes. Some big, some little. Consequences vary, but I always learn from them.

Take for instance these half-dozen shots made back in early 2011. I used my Panny GF1 and a c-mount lens, the SLR Magic Toy Lens 26mm f/1.4, to make a few pictures around the neighborhood.

Love that swirly bokeh. But the blue was a bit of a surprise.

Anyway, as I noted in comments made about the portrait on Flickr “…the blue cast is from my not remembering to switch back to AWB before I headed out for a walk around the block. The Tungsten setting casts blue in daylight. But I think it works in the handful of pictures I posted this afternoon. A lesson, of sorts.” The unusual portrait got a good number of views, a coupla’ faves, and a handful of comments.

I seem to recall noticing what I’d done about 6 pictures into my stroll and changing back to AWB. Oh, well. Interesting results.

The lesson? Check your settings.

 

Fiddlin’…

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… in the digital darkroom.

I played around with one of my shots from last Sunday’s car show over in Round Rock at Centennial Plaza. This is the badge and right front-end of a silver colored Porsche 1600/356. 1956, I’m guessing.

The original photo was color, taken using the vivid setting available in the Sony RX100M3.

I use an older version of Photoshop, CS5 Extended, or Photoshop 12. I haven’t yet fully embraced Adobe’s subscription model and this rather old version still works on my trusty old 2012 Mac Mini.

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I have the free version of the NIK software bundle installed and use it often for both color and black and white edits.

I haven’t yet fully embraced their subscription model…

For this shot, I used the Silver Efex Pro 2/030 Film Noir 1 filter to make the conversion to BNW. Love the grain from this filter. There are plenty of settings to mess with, including film types, vignette, and brightness/contrast. I also removed the image border.

Next I used the Photoshop burn tool to darken up the letter “P” at the top of the badge. I was pretty much shooting into the sun at ƒ/1.8 and a it got a little blown out, but there was enough there to recover.

I like that blown-out area to the left of the badge, framed by the badge and the curve of the fender, with the trees in the background and the fender’s shadow fore.

A pair of Jacks.

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Macro Jacks, that is.

Diggin’ ’round in the archive. These are from May 2013.

A pair of shots, one made with the Olympus E-PL3, an extension tube, and the Lensbaby Composer Pro + Sweet 35, the other made with the Panasonic Lumix DMC-GF1 and the Wanderlust Pinwide.

Cool that I wrote about how I made the Pinwide shot on Flickr. “I found it while I was out back watering the roses. It was corroded and covered in dirt. I cleaned it up a bit with water from the hose and let it dry.”

It was corroded and covered in dirt.

“I took the picture later in the day. The sun was on its way down allowing a sliver of light to peek under our old and slightly uneven garage door. I got the shot by laying on the garage floor with the Pinwide less than an inch away from the jack.”

I love the shadow and contrast, not to mention that gorgeous blurry bokeh at the top and swirl at the bottom of the EPL-3 shot. Pretty cool.

Diggin’ ’round in the dirt has its rewards. Same with the archives!