Rusty shutters #36.

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Pinholaroid.

September 2008.

Modified Polaroid Colorpack II – 35mm @ ƒ/140. No batteries required!

After removing the lens and shutter, I lopped off a good portion the front, then fitted a neatly cut and trimmed piece of black ABS to cover the resulting hole. This made for a shorter distance to the film plane and a wide angle of view.

I measured for center, then drilled a 4/16″ hole through the front plate. The shutter and shutter-stops came next. I measured for the shutter location, drilled a pilot hole, then attached the shutter with a small brass screw, washer and nut. The stops were super-glued. Super-simple operation.

I cut a 3/4″ square piece of soda can and used a very small sewing needle and a sheet of binder paper folded up a bit and placed beneath it to punch the hole through the aluminum, slowly, sanding the back of the puncture to smooth it out. The pinhole is attached to the inside of the camera with gaffer tape.

I turned the camera upside down and added a viewfinder, using a simple 200 degree peep-hole from Home Depot. I used ABS for the viewfinder support, drilled a hole to accommodate the peep-hole and super-glued the bracket to the camera body. The viewfinder placement is dead center above the pinhole.

Having removed the original Colorpack II viewfinder – which is now on the bottom of the camera – I cut out 6 of pieces of ABS that mimicked the shape of the Manfrotto tripod mount I use, each slightly smaller than the next. I glued them together, then drilled a hole for a 1/4-20 sleeve to attach the Manfrotto mount.

In a stroke of good luck, the pattern on the ABS was a close match to that of the Colorpack II. I finished off the Pinholaroid by painting all the exposed ABS satin black.

A fun little project. I even have a decent stash of Fuji pack-film to use with this camera.

Offbeat.

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Fun and funky lenses.

It must be my love of toy cameras that compels me to experiment with offbeat lenses on my mirrorless cameras.

I have a good collection of weird add-ons, from Lensbabies to C-mount CCTV lenses and I recently added an Olympus M.Zuiko 9mm ƒ/8.0 Fisheye Body Cap Lens to use on my m43 boxes. It was a little more than I wanted to spend, but reviews and sample images I found were convincing.

Pictured above are are four from my stash of curious and weird lenses… Olympus 9mm ƒ/8 Fisheye Body Cap, Thingyfy Pinhole Pro S, Pentax 25mm ƒ/1.4 CCTV, Lensbaby Composer Pro/Sweet 35.

Rusty shutters #35.

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Diana Mini.

August 2009.

I already had a Diana 151 when the Lomography folks released this little guy, and I thought adding this 35mm camera to the collection could be fun.

It’s a cool toy that’ll shoot half-frame and square, but I keep it on the square setting.

Loading film is super-easy, and all the controls are quite similar to what you’d find on the Diana 151, so there’s zero learning curve.

I’ve run 3 rolls of Kodak film through it so far, BW400CN, Elite Chrome 100 (XPRO), and Gold 200. All three performed well.

Yet another film camera I need to put a little more effort into using.

Film type: 35mm
Shutter Speeds: ~1/60 – 1/100 sec
Aperture: ƒ/8, ƒ/11
Focal Length: 24mm
Viewfinder: Optical
Focusing: Manual/zone – ~2ft – infinity
Dimensions HWD: 2.8in x 4in x 2.4in

Rusty shutters #34.

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Sony Cyber-shot DSC-RX100 III.

May 2019.

I wanted to bring a few point-and-shoot cameras on our 2-week tour of Portugal and Spain last year, but they had to be small enough to fit in the awesome Peak Design Everyday Sling 5L.

The RX100III was one of three that made the trip.

I like this little shooter a lot. My fave parts are the flip-up LCD, the Zeiss 24-70mm ƒ/1.8 lens, and the lens ring. The macro’s not bad, either.

The camera’s menu system is just okay and the controls are nicely arranged, so using the camera is pretty much a breeze.

I like this little shooter a lot.

I don’t use the viewfinder. No real need. Plus it has the nasty habit of turning off the camera when pushed back into the body.

I added a tasteful Gariz half-case and – since I’m not a big fan of wrist straps – I use an extra neck strap I had, a super-thin Panny with plastic clip/nylon cord connectors. Works perfectly.

Great little digital camera.

Resolution: 20.1 megapixels
Max image size – 5472 x 3648
Display: Tilting 3in LCD @ 1,228,800 pixels
ISO: Auto, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800
Shutter Speeds: 30 sec – 1/2000 sec
Metering: Multi-segment, center-weighted, spot
Focal Length: 24-70mm
Macro: 1.97in
Dimensions WHD: 4in x 2.3in x 1.6in
Weight: 9.28 oz
Power: Sony NP-BX1 lithium-ion rechargeable battery
Memory card: SD/SDHC/SDXC

New Old Stock.

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Quirky new addition.

This little guy arrived in the mail last week. It’s a Smena 8M. A Russian viewfinder camera.

An eBay purchase, it’s New Old Stock. Seriously. The box that showed up in the mail was sealed and unopened. They were manufactured from 1952 until the late 80s, but a little internet research reveals this one’s likely closer to the late 80s.

To call this thing quirky would be an understatement.

Full manual. 35mm. No battery. The shutter needs to be cocked before each shot.

The aperture ring – ƒ/16 to ƒ/4 – is inconvenient as hell, and loading and unloading film will be interesting because the rewind is a smaller-than-a-dime button with a serrated edge on top of the camera. No crank. The film take-up spool is loose.

It has shutter speeds from 1/8 to 1/250 second, or one can go by sunny to cloudy icons at the top of the lens barrel.

There are videos aplenty on YouTube, if you’re the curious type.

So, besides the Smena 8M, I’m down to about 20 cameras to document:

  • Fujifilm Instax Square SQ6
  • Diana Mini
  • Shen-Hao HZX45-II
  • Polaroid Land Camera Model 180
  • Voigtlander Bessa I
  • Minolta XG-1
  • Minolta XG-7
  • Polaroid Colorpack II
  • Argus 520
  • Debonair 120
  • Pinholaroid (hacked Polaroid Colorpack II pinhole)
  • Sprocket Rocket
  • 8Banners Mc (pinhole)
  • Zero Image 2000 (pinhole)
  • Ondu 6×12 Multiformat (pinhole)
  • Fujifilm XQ1
  • Spartus Fullview
  • Argus Argoflex
  • Yashica-Mat 66

It’ll take a while to go through them all since they’re mostly old film cameras, but it’ll give me a chance – and excuse – to use up my film stash.

I’m pretty sure I’ll keep adding cameras to the list – because GAS – but putting these cameras through their paces will be my main focus for 2020-2021.

Take a few seconds and check out what I’ve put together so far over on @rustyshutters.

Rusty shutters #33.

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Polaroid SX-70 SE Sonar OneStep.

October 2007.

This blue-button SX-70 – that’s why it has “SE” as part of the camera’s name, maybe – was purchased at the San Jose Photofair.

Sadly, I no longer have this camera. It started to produce a series of 4 small, fuzzy, and bright yellowish dots vertically just off-center left. Don’t know why or how that began, but I stopped using it altogether about a year after I got it.

I got some great shots with it before its demise, though.

I did a slight variation of Adrian Hanft’s hack

Auto focus was pretty cool. I was able to use a bit of my 600 film stash, too. At the time 600 film was still available and I would snag 5-packs at Costco for around $40 US, as I recall. A good deal.

To use that film in the Sonar OneStep, I did a slight variation of Adrian Hanft’s hack, which involved just removing the ND filter over the photocell and turning the light/dark dial all the way to dark for each shot. It worked well.

Body: Black plastic with brown vinyl porvair
Focusing: Split-image rangefinder. manual or autofocus
Lens: 4-element 116mm glass
Manual focus: 10.4 inches – infinity
Shutter: Electronic
Shutter speeds: 1/180th to 14 seconds
Aperture range: f/8 – f/74
Dimensions: DWH 6.49in x 3.93in x 1.77in

Rusty shutters #32.

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Canon PowerShot SD780 IS.

May 2010.

I bought this tiny little shooter for one reason only… its size. Amazingly, it’s the same width and height as a credit card.

What I discovered after it arrived is that it has fantastic image quality and super macro capability.

I haven’t used this ultra-compact camera nearly as much as I should, but in putting this post together I rediscovered a little gem that I’m gonna start carrying around.

Resolution: 12 megapixels
Max image size: 4000 x 3000
Display: 2.5in fixed screen
Rangefinder: Optical zoom
ISO: Auto, 80 ,100, 200, 400, 800, 1600
Shutter Speeds: 15 – 1/1500 sec
Aperture: ƒ/3.2 – ƒ/5.8
Macro: 1.1in
Focal Length: 33 – 100mm
Zoom: 3x
Metering: Evaluative, center, spot
Dimensions WDH: 3.4in x .72in x 2.1in
Weight: 4.7oz
Power: Rechargeable Li-ion Battery (Canon NB-4L)
Memory card: SD/MMC/SDHC

Rusty shutters #31.

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Olympus Stylus Epic.

February 2008.

I know I bought this camera new, but I can’t recall where I got it. I could find no evidence of purchases online at the usual vendors. I may have bought this at a brick and mortar store in Silicon Valley, likely San Jose Camera or Keeble and Schucat.

It’s a fun little 35mm film camera. So compact, it’ll fit in a shirt pocket. And with the ƒ/2.8 lens and high ISO capability, it performs well in all types of light.

The only bother with this camera is that every time the cover is opened/closed the camera resets to default settings and the flash is enabled.

Other than that, it’s a pretty cool little shooter.

Film type: 35mm
Weight: 4.7 oz
Lens: E. Zuiko 35mm
Aperture: ƒ/11 – ƒ2.8
Focus: 13.8in – infinity
Shutter speeds: 4 – 1/1000sec
Film advance: Automatic
Viewfinder: Real image rangefinder
ISO: DX-coded, 50 – 3200
Dimensions WHD: 4.3in x 2.3in x 1.5in
Battery: CR123A 3V Lithium

Rusty shutters #30.

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Canon Canonet QL17 G-III.

January 2006.

A good looking little rangefinder, the GIII is the last, high-end version of Canon’s famous Canonet compact cameras.

Mine was yet another eBay find. It had been CLAd and came with new seals at the time of purchase.

Great glass, fast ƒ/1.7, and the quick load feature all add up to an awesome camera.

This nearly 50 year old camera is still working. Nice little shooter.

Film type: 35mm
ISO: 25 – 800
Lens: 40mm f/1.7
Shutter speeds: 1/4 to 1/500sec and B
Focus: 2.6ft to infinity
Viewfinder: Coupled rangefinder with auto parallax correction
Battery: Originally powered by one 1.35V M20 (#625) mercury battery. Battery checker built-in.
Flash: Hot shoe
Size HWD 2.9in x 4.7in x 2.3in
Weight: 22.4oz
Canon Quick Load (QL) film loading system

Rusty shutters #29.

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Nikon One•Touch Zoom 90 AFQD.

My recollection is shaky, but I believe my wife and I bought this little guy to replace the original One•Touch we owned. We’re talkin’ right around the time I got my first digital camera, 1999-2000.

Sadly, this Z90AFQD apparently didn’t get a whole lot of use – one of the pictures on the roll of Kodak Gold 200 that was in it I recently had processed/prints made from revealed a shot from close to 10 years ago.

It still works and is a really cool little shooter, though. Easy to use, nice viewfinder. Zoom is useful. I like it. I’ve already run a couple of rolls through it.

Lens: 38-90mm (f/4.8-10.5) with macro capability as close as 12 inches
Flash: Built-in with 5 modes, including slow-synch
LCD: Frame counter, modes and date function
Viewfinder: Zooming with LEDs and dioptre correction
Film: 35mm auto-loading, winding and rewinding of DX-coded film 50-3200 ISO
Timer: Built-in 10 second self timer
Power: 3V CR123A lithium battery