Necessity…

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… is the mother of invention.

I got out with my new-ish ONDU 6×12 Multiformat pinhole camera a coupla’ weeks back for FP4 Plus Party.

Multiformat means it’ll shoot 6×6, 6×9, or 6×12.

I have a really cool 8Banners Mc pinhole that’s set to shoot square, a shiny Zero Image 6×9, so the ONDU will be dedicated to 6×12.

As previously noted, I shot 6 images with the ONDU. Of the 6, 3 had my fat fingers showing in the right side of the frame. Those shots were roughly 1 second exposures. Super-sunny days. There are lines in the top of the camera that tell you what’ll be in view for each, and my fingers fell into that space.

I’ve come up with a nifty way to get my digits out of the picture.

I used Illustrator to draw up a simple extender. Then I used a low-tack spray adhesive to affix the drawing to a piece of repurposed plastic from my 2019 Office Max calendar cover. I keep everything. The perfect-sized hole was made using simple hole punch. I sanded the edges and tied a piece of ribbon in the hole at the other end.

The rubber band was already in place – it keeps the shutter from opening while the box is in my camera case. Now it can hold the extender in place and serve as tension when using the extender. Easy to put on, take off.

Simple. Used stuff I had. Great solution. Free.

I started posting shots for the FP4 Plus Party on Twitter today.

Cool and dark.

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Life’s about making adjustments.

My extremely rocky re-entry into developing film last year resulted in one botched and one barely salvageable roll of Ilford Pan F Plus, shot with my Hasselblad 500c/m and Holga 120S.

I was using a new dark bag to load the film onto Paterson reels. Even though it was done in an air conditioned room, the amount of heat my nervous and excited hands and arms generated caused enough steam in the bag to make the film stick to itself, totally ruining the Hassy roll.

The Holga roll wasn’t much better. The edges of the film got pretty crinkled, but I managed to feed the whole roll onto the reel without sticking to itself in the process.

Seems like a lot of trouble, huh?

The hall bathroom in our home has a separate water closet with a door. I can close the hall door, get my film rolls, reels, the tank parts, scissors, and any thing else I might need set up on the lid of the plastic tub where all this dev stuff is stored. I then turn off the light over the sinks. It’s easy to move the tub into the closet and close the second door.

It is absolutely dark in there, but I put a rolled up towel at the base of the door, just in case. I also take off my watch. After everything is situated, I sit on the toilet lid with the tub in front of me and turn off the light.

Seems like a lot of trouble, huh?

I haven’t screwed up a single roll since making this change, so the effort is worth it.

Plus, I’ve ditched the dark bag.

Not quite Spring.

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Felt like it, though.

I spent the first Saturday morning of February walking around Zilker Botanical Gardens in Austin. Around 10 folks showed up for Simi’s PhotowalksATX gathering.

There were a few familiar faces – Greg, George, Ed, Ana – and a few folks I’d not met before – Justin, Derrick, Another Ed, Scott – and some folks whose names I did not get nor hear.

It was a beautiful Winter morning in the garden.

It was a beautiful Winter morning in the garden. A little chilly to start, but by the time folks were heading to lunch, it’d warmed up nicely.

It was my first visit to Zilker Gardens. Beautiful grounds. It has a lot of nice winding, gently sloped, paved paths, for ADA compliance I’m guessing, but there were also steps to use. Thoughtful.

I brought along the Sony RX100 III, my trusty Panasonic Lumix LX100, and it was my first outing with the Fujifilm XQ1.

There were a few paper whites popping out of the ground, and rose blossoms, pansies, and a few other flowers, but since it’s the dead of winter, mostly palms, ferns, and well, just a whole lot of green.

… it was my first outing with the Fujifilm XQ1.

Entrance into the gardens was $7 US for me, a senior, but that included parking. Not bad really.

There was a beautiful waterfall in one section of the gardens that I’m pretty sure everyone got a shot of… my picture was a little off-center, but it managed to catch a little cool lookin’ sun flare.

I was so busy focusing on getting into the gardens that I didn’t notice the front entrance gates, but the Rose Garden Gate on the north side of the property was something to behold. The only reference to the artist that I could find online was Lars Stanley and Louis Herrera.

Lunch was at Schlotsky’s on South Lamar. There weren’t as many folks as on the walk, but it was still a good crowd.

Simi’s photo strolls are always awesome.

K-scope, revisited.

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Hexagon city.

I had one of those days yesterday.

The weather was funky. Grey, foggy, drizzly. I didn’t want to leave the house. At all.

So I played indoors. It’s been a while since I put together the Leica D-Lux 4 and the toy kaleidoscope I keep in my studio.

Play. Play. Play.

I fiddled with that cool little combo for hours. Patterns, shapes, color. So much fun.

Play. Play. Play.

I attended a talk in the Spring of 1998 put on by the UCSC Extension in Mountain View, CA. The speaker was digital artist David Biedny.

It was part of their Creativity in the Digital Age series. I don’t remember much about the talk in general, but the one thing he said that evening that’s stuck with me all these years was that creativity and play go hand-in-hand.

So true.

2019 Gallery

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Faves from the past year.

Among photographers, I’m sure this is not uncommon – at the end of each year, I take a look back at my body of work and pick out the photos I like most.

My choices may be due to a particular memory, maybe the composition, or the planning that went into a particular photo. It could be the happenstance, the color, or perhaps the light. Maybe it’s the mood or a good story.

For those reasons and more, this group of shots – and a few others – are my favorites for 2019 – please, take a peek at my year-end gallery.

 

Walking among the dead.

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Austin’s history under foot.

I met Kevin Thomas at Oakwood Cemetery in Austin last Sunday morning for a film stroll.

It’s a place I’ve been wanting to shoot since I saw Kat Swansey’s cemetery shots in her IG stream and her recommendation for a visit to Oakwood.

Foggy and a little chilly, it started clearing around noon. The drive down I-35 wasn’t bad at all.

I brought along the Yashica-Mat 66. I loaded a roll of Tri-X 400 in it the day before. Everything seemed pretty normal. Sunday I couldn’t get the film to advance properly. Hmmm.

Also on hand was my little Instax Mini 8, and I burned through two packs of Mono Chrome. Got a coupla’ keepers.

I thought I was prepared. Apparently not!

The Minolta XG-1/24mm ƒ2.8 + mystery roll, too.

I had the Sony RX100MIII in the bag, as well. Sadly, when I tried to use it, I discovered it had a dead battery.

So, I shot bunches with the iPhone 8 and Blackie App.

I thought I was prepared. Apparently not!

It was a good 2+ hour walk.

On my way back home I stopped at Austin Camera to pick up the negs/prints from the 4 rolls of C41 I left there last Saturday. Pretty cool to see what they contained. Around 20 keepers, plus I still have to scan the shots from the Sprocket Rocket.

Bookin’.

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… and lookin’ so fly.

The Shutterfly book I put together using pictures from our Portugal/Spain trip arrived in the mail last week.

Except for a few text alignment issues and me not making the shot on the front cover large enough, it turned out pretty nice.

Love the materials they used for this basic order. The cover is quite thick, nice and glossy. The pages are sturdy and semi-matte finished.

I’m happy with the results.

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