My latest film camera crush.

pentacon6-grid9

PENTACON six TL.

The PENTACON six TL is my current film camera crush. 120. Love the square.

The 9 shots above are examples I snagged from Flickr. No attributions, sorry, but here’s the Flickr group photo pool >
https://www.flickr.com/groups/pentaconsix/pool/

Here’s the tag if you want to see more pictures on IG >
https://www.instagram.com/explore/tags/pentaconsix/

… and here’s a fairly critical review >
https://www.thephoblographer.com/2017/07/25/vintage-film-camera-review-pentacon-six-tl-6×6-square-format/

And a good guide >
https://emulsive.org/reviews/camera-reviews/pentacon-cameras/camera-review-pentacon-six-tl-a-hopefully-comprehensive-guide-to-a-legend-by-ludwig-hagelstein

I definitely wouldn’t mind adding this medium format shooter to my collection…

Rusty shutters #22.

0000-agfa-click-i.jpg

Agfa Click-I.

May 2006.

Another fun film shooter from my collection. A very cool, very simple little camera made in Germany from 1958-1970.

It uses 120 film and has a switch on the lens barrel with three settings: two are aperture sizes, ƒ8.8 (cloudy icon) and ƒ11 (sunny icon), plus a yellow filter which is also ƒ8.8.

It uses a single fixed-focus convex-concave meniscus lens, a rotary shutter with a speed of 1/30th of a second, and the camera has a curved back cover that serves as a film pressure plate.

This little guy takes sharp pictures from about 5 ft. to infinity and I’ve even used hand-held close-up filters over the front of the lens for decent macro shots.

Film type: 120
Exposures: 12 @ 6×6
Shutter Speed: ~1/30 sec
Aperture: ƒ/8.8, ƒ/11
Focal Length: 72.5mm
Viewfinder: Optical
Focusing: Fixed, 5 feet – infinity
Dimensions WHD: 5.5in x 3.75in x 2.75in

Rusty shutters #21.

0000-panasonic-lumix-dmc-gx8.jpg

Panasonic Lumix DMC-GX8.

September 2017.

The GX8 was the first M43 body I’d added to my collection since the GX1, nearly four years earlier.

I’m not much of an early adopter, so it took me a while to decide on this particular body. But I’m glad I did. I’m a fan of having the viewfinder on the left side of the camera, and the flip-up feature is just perfect for my style of photography. I added the larger eye-cup.

I’m not big on touch-screens, so I don’t usually have the swivel LED display showing, and I carry the camera in my bag that way just for protection.

All the dials and knobs are well placed and easy to use, and the grip is quite comfortable in my right hand. The size is perfect.

The Olympus 12-40 ƒ/2.8 PRO lens is what’s usually attached. Great chunk of glass.

The auto focus is super-fast.

I’ll be using this set-up for a pretty long while.

Resolution: 20.3 megapixels
Max image size – 5184 x 3888
Display: Fixed 3in LCD @ 1,040,000 pixels
Viewfinder: Articulated, electronic, 2,360,000 pixels
ISO: Auto, 200, 400, 800, 1600, 3200, 6400, 12800, 25600
Shutter Speeds: 60 sec – 1/8000 sec
Metering: Multi-segment, center-weighted, spot
Dimensions WHD: 5.2in x 3.1in x 2.5in
Weight: 17.2 oz
Power: Lithium-ion rechargeable battery
Memory card: SD/SDHC/SDXC

Rusty shutters #20.

0000-polaroid-sx-70-model-2.jpg

Polaroid SX-70 Model 2.

November 2008.

I’d won an SX-70 SE Sonar OneStep (with a blue button) on eBay around a year earlier. It was working pretty well but after a good amount of use, 4-5 evenly spaced white spots started to show up in the pictures I was taking, lined up vertically and slightly left-of-center. A real bummer.

Looking for a replacement, I won this Model 2 on eBay.

It was in really good shape. The plastic was clean, and the porvair was spotless. And everything worked. I was using the Hanft-hack so I could use a few packs of my 600 stash.

I still have it. The porviar has degraded pretty badly over the years, but the camera still works.

When I went to fetch the camera for the product shot, I noticed there was an empty 600 pack in it. When I pressed the shutter – amazingly enough – the camera went through all the motions. Those batteries are incredible.

I have a few packs of 600 film left… I better get to taking pictures before my luck runs out!

Body: White plastic with brown vinyl porvair
Focusing: Split-image rangefinder
Lens: 4-element 116mm glass
Manual focus: 10.4 inches – infinity
Shutter: Electronic
Shutter speeds: 1/175th to 14 seconds
Aperture range: f/8 – f/22
Dimensions: DWH 6.89in x 3.93in x .98in

Lensless.

pinhole-cams-sized.jpg

x 3.

I recently added the ONDU 6×12 Multiformat pinhole camera to my pinhole camera collection.

Nice little box. I got the walnut version. It is so pretty.

I also have the 8Banners MC and Zero Image 2000 6×9 pinholes.

I’ll use the 8Banners for 6×6 and keep the other two at their intended format.

I found an inexpensive padded insert on Amazon that has handles and a hook-and-loop attached lid with a zippered pouch, perfect for storing a yellow filter for the ONDU and a shutter release cable for the Zero Image.

It came with a pair of padded dividers, to help keep the cameras separate. Nifty find.

Each camera has its own Manfrotto 785PL Quick Release Plate, used with the awesome 785B Modo tripod.

I also put together and printed a separate exposure chart for each box using Mr. Pinhole’s Pinhole Camera Exposure Guide. A very useful resource.

I’ll get out with these boxes in a couple of weeks, most likely shooting B&W for a while so I can tank develop at home. I’ll shoot color, too.

Should be fun.

Rusty shutters #19.

0000-panasonic-lumix-dmc-lx100.jpg

Panasonic Lumix DMC-LX100

January 2015.

Hands down, my favorite camera. I pretty much exclusively used this little guy up until its demise – the dreaded dusty sensor problem – earlier this year, and then replaced it with the same model, a NOS box directly from Panasonic.

Other than that, this shooter is just amazing.

I have the LX5. Skipped the LX7. When the LX100 came out I was immediately impressed by the fact that it had controls for manual operation on the outside of the camera, an aperture ring on the lens plus aspect ratio, shutter speeds and exposure compensation with the shutter release nestled neatly between them on top of the camera. The back of the camera is just as tidy.

The Leica ƒ/1.7 glass was an added bonus. Sharp. Plus it uses a 4/3 sensor. Huge.

I made some of my favorite pictures with this camera. Love the in-camera effects. Toy Pop, Dynamic Monochrome, and Rough Monochrome are super cool.

The LX100 is just a pleasure to use.

Resolution: 12.7 megapixels
Max image size – 4112 x 3088
Display: Fixed 3in LCD @ 460,000 pixels
ISO: Auto, 160, 200, 400, 800, 1600, 3200, 6400, 12800, 25600
Shutter Speeds: 60 sec – 1/4000 sec
Metering: Multi-segment, center-weighted, spot
Dimensions WHD: 4.53in x 2.6in x 2.17in
Weight: 13.9 oz
Power: Lithium-ion rechargeable battery
Memory card: SD/SDHC/SDXC

Rusty shutters #18.

0000-diana-151.jpg

Diana 151.

May 2006.

Lots of folks were using toy cameras around that time. There were a couple of Flickr contacts whose Diana 151 work convinced me to find one on eBay.

I seem to recall the price wasn’t too high, maybe US $40 at the time.

I haven’t run a whole lot of film through it, but this particular camera has a decent lens that’s true to the prescribed focus lengths, plus it came with a weathered manual, and a lens cap. I don’t know what happened to the original box.

To eliminate light leaks, I’ve made small removable flaps using gaffer’s to cover the red picture number window and the latch at the bottom of the camera back.

These cameras make the most magical images. Check out Nancy Rexroth’s work.

I’ll be getting out with this little gem again in the near future.

Film type: 120
Exposures: 16 @ 4×4
Shutter Speeds: ~1/50 – 1/100 sec
Aperture: ƒ/11, ƒ/13, ƒ/19
Focal Length: ~60mm
Viewfinder: Optical
Focusing: Manual/zone – 4-6 ft, 6-12 ft, 12 – infinity
Dimensions: 5.3in x 3.7in x 6.8in