K-scope, revisited.

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Hexagon city.

I had one of those days yesterday.

The weather was funky. Grey, foggy, drizzly. I didn’t want to leave the house. At all.

So I played indoors. It’s been a while since I put together the Leica D-Lux 4 and the toy kaleidoscope I keep in my studio.

Play. Play. Play.

I fiddled with that cool little combo for hours. Patterns, shapes, color. So much fun.

Play. Play. Play.

I attended a talk in the Spring of 1998 put on by the UCSC Extension in Mountain View, CA. The speaker was digital artist David Biedny.

It was part of their Creativity in the Digital Age series. I don’t remember much about the talk in general, but the one thing he said that evening that’s stuck with me all these years was that creativity and play go hand-in-hand.

So true.

A pair of Jacks.

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Macro Jacks, that is.

Diggin’ ’round in the archive. These are from May 2013.

A pair of shots, one made with the Olympus E-PL3, an extension tube, and the Lensbaby Composer Pro + Sweet 35, the other made with the Panasonic Lumix DMC-GF1 and the Wanderlust Pinwide.

Cool that I wrote about how I made the Pinwide shot on Flickr. “I found it while I was out back watering the roses. It was corroded and covered in dirt. I cleaned it up a bit with water from the hose and let it dry.”

It was corroded and covered in dirt.

“I took the picture later in the day. The sun was on its way down allowing a sliver of light to peek under our old and slightly uneven garage door. I got the shot by laying on the garage floor with the Pinwide less than an inch away from the jack.”

I love the shadow and contrast, not to mention that gorgeous blurry bokeh at the top and swirl at the bottom of the EPL-3 shot. Pretty cool.

Diggin’ ’round in the dirt has its rewards. Same with the archives!

 

Ready to roll.

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It sure took long enough.

I finished shooting these four rolls of C-41. Finally.

I’m still deciding who’ll do the processing. There’s a nearby shop, Austin Camera, on Burnet Road. It’s a little over 20 miles and a half-hour away.

Another possibility is Old School Photo Lab, they’re located in Dover, New Hampshire. I’d be sending them the rolls via their free pre-paid mailing label. I used them for the roll of XP2 I shot earlier this year at the Civil War reenactment at Camp Mabry. The Shitty Camera Challenge.

My main concern is the Fuji 800 roll. It’s out of the Sprocket Rocket and I want to make sure the negatives don’t get cut in the middle of pictures.

The XP2 Super and Gold 200 were in my Nikon One•Touch Zoom 90. The Ektar 100 was in my Olympus Stylus Epic.

Decisions, decisions.

Rusty shutters #5.

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Ricoh GR Digital II

July 2008.

Fun little camera.

Tiny. Killer. Awesome macro.

Love the 1:1 format, the GRD2 was my first digital with that option and boy did I abuse it. This is a couple of years before Instagram launched.

Love the B&W.

Love the 28mm.

Acquired new mid-2008, I’ve even got the little GV-2 add-on viewfinder, the wide-angle adapter and lens, the external cable/switch, and the AC adapter.

Resolution: 10 megapixels
Max image size – 3648 x 2736
Display: 2.7in LCD @ 230,000 pixels
Zoom: 4x digital
ISO: Auto, 80, 100, 200, 400, 800, 1600
Shutter Speeds: 180 sec – 1/2000 sec
Aperture: ƒ/2.4
Focal Length: 28mm
Macro: .6in
Metering: Multi-segment, spot
Dimensions: 4.2in x 2.3in x 1.0in
Power: Li-Ion battery
Memory card: SD/SDHC

Creativity.

Paper and Light

Ideas, influence, and inspiration.

The co-founder of The North Austin Pfotographic Society, Josh Baker, gave a super-animated prezzy on creativity at last night’s monthly meeting.

There were a lot of great take-aways, from his use of storyboards and sketches, knowing and breaking rules, to taking advantage of spontaneous situations. Josh’s work is large-scale, and he talked about all the planning that kind of photography demands.

At a couple of points in the presentation, he spoke briefly about inspiration, which I think could be the subject of a whole ‘nutha meeting.

It was an excellent talk!

I do think we’re all influenced by our surroundings, and by filling my life with things I love, the work I do is a direct reflection of my interests.

Plus, my interest in photography is more out of curiosity and experimentation – not business – so I tend to look at things on a much smaller scale. I’m not saying big is bad, I just don’t have the budget, the gear, or the network a working professional has.

But small scale doesn’t mean you can’t be creative.

In September of 2005, I enjoyed an exhibition at San Jose Museum of Art titled “Caja de Visiones/Box of Visions: Manuel Álvarez Bravo.” It was wonderful. The show included about 50 black-and-white photographs.

There were a couple of Álvarez Bravo’s images that I found to be so totally different from the the rest of the exhibit, almost out of place, but demonstrated a playful side. They were pictures of paper, folded and bent.

I was excited to try something similar using a Lensbaby 2 that I’d added to my kit. I’d done a series of macros of a plastic rainbow Slinky earlier that Summer and was happy with the results.

Wash machine

One evening I ventured out to the garage with my camera, the Lensbaby, a small LED flashlight, and this idea.

Working on top of our wash machine, I cut a 3/8″ x 14″ piece of layout bond and curled it tightly around an exacto knife handle, let it fall on a piece of black construction paper and made some slight adjustments to the arrangement.

I then pointed an LED flashlight from various angles at the resulting composition and pulled the Lensbaby away from the camera body to get a closer crop.

The experiment was a success.

Of the eleven images made, I had three of them printed, matted, and framed.

Paper and Light 1

Paper and Light 3

Paper and Light 3