Another example of using my iPhone 8 and the @pixllatr to digitize a black and white negative. It’s working quite nicely.
This shot’s from 2006, Billetproof Antioch. Hasselblad 500cm/80mm + Fuji Neopan Acros 100.
Previously unpublished, love all that shiny chrome.
This is my first attempt at using Hamish Gill’s @pixllatr.
I used my iPhone 8, hand held, to make the image. The light source was my 9×12 Artograph lightbox.
I used a mask that I made from chipboard to block out any extraneous light (I’m already thinking of ways to make that gizmo and process a little smoother).
I transfered the shot to my Mac Mini via AirDrop, opened the image in Photoshop, converted to black and white, used the Transform/Skew tool to square it up, then adjusted levels.
The results look pretty darned good. An absolute success.
Side note… I made this image back in 2006 with my Holga 120N using Ilford HP5+ 400. The shot was made in downtown San Jose, CA in front of the convention center on West San Carlos Street, directly across from the main office of The Tech Museum of Innovation, where I worked at the time.
The film was developed by Calypso Imaging, a Santa Clara company that went under not long after these negs were developed. Like many companies at the time, the advent of digital cameras was disastrous for the film industry.
I started developing my own black and white film soon thereafter.
In my travels with cameras, I discover a lot of round or circular objects, and since my fave and probably most frequently used aspect ratio in photography is the square, I’ll center these objects and make a photo.
Here’s a montage I put together of 16 faves.
I also assembled an album with 88 examples of circle/square on Flickr, check it out…
Taken with my Panasonic Lumix DMC-LX100, using the Dynamic B&W setting. It. Is. Awesome.
Handy tool for taking Annie out back at night.
I’m clearly drawn to round or circular objects centered in a square. I’ll dig through the archives and see if I can’t put together a montage.
Ricoh GR Digital II. A shot from mid-2008, taken down around Lincoln and West San Carlos in San Jose, CA.
Two things on today’s agenda. Mow-trim-blow and a trip to the grocery store.
The Shitty Camera Challenge is happening soon. It’ll be a little different than last year, I think, as it’s being touted as the “Quarantine Special” this time ’round.
It lasts from June 1 to August 31, 2020. Not exactly clear about when to post, but I’m sure that’ll all get figured out as time progresses.
I looked on eBay to see if I could find some camera that’d be adequately awful to use, but found zero inspiration. I was about ready to throw in the towel.
Larry found it in the garage when they moved into the house…
Fiddlin’ in the studio I came a cross a handful of old 120 spools, mostly plastic, but one of them was metal. It has the words “KODAK FILM” embossed on both ends. Pretty cool.
It reminded me that I have a 50th Anniversary Kodak Brownie that a neighbor in the old ‘hood gave me. That old thing had a roll of Verichrome Pan in it, which I developed using D76. That’s where the spool came from.
Of the three pictures that turned out (see top of post), two looked to be from the seventies and one looked earlier, maybe late fifties or early sixties.
Larry found it in the garage when they moved into the house, held onto it until late 2007, when he gave the camera to me.
I also have two rolls of expired film to use, a March 1968 expired roll of Verichrome Pan plus a June 2008 expired roll of Plus-X. The camera shoots ~6×9 so I’ll get 8 shots per roll.
I’ll probably rig something up so I can compose and shoot horizontally…
Today I dusted it off and cleaned the, uh, viewfinder. It’s really not much of a viewfinder, honestly. I’ll probably rig something up so I can compose and shoot horizontally… you know, landscape.
The little red window that’s supposed to show the picture numbers has faded to a fairly transparent orange-ish yellow, so I made a little flap out of a piece of gaffers to cover-up between advancing shots. Should help.
I think it’ll do. Funky, fun, and free.
I played around with one of my shots from last Sunday’s car show over in Round Rock at Centennial Plaza. This is the badge and right front-end of a silver colored Porsche 1600/356. 1956, I’m guessing.
The original photo was color, taken using the vivid setting available in the Sony RX100M3.
I use an older version of Photoshop, CS5 Extended, or Photoshop 12. I haven’t yet fully embraced Adobe’s subscription model and this rather old version still works on my trusty old 2012 Mac Mini.
I have the free version of the NIK software bundle installed and use it often for both color and black and white edits.
I haven’t yet fully embraced their subscription model…
For this shot, I used the Silver Efex Pro 2/030 Film Noir 1 filter to make the conversion to BNW. Love the grain from this filter. There are plenty of settings to mess with, including film types, vignette, and brightness/contrast. I also removed the image border.
Next I used the Photoshop burn tool to darken up the letter “P” at the top of the badge. I was pretty much shooting into the sun at ƒ/1.8 and a it got a little blown out, but there was enough there to recover.
I like that blown-out area to the left of the badge, framed by the badge and the curve of the fender, with the trees in the background and the fender’s shadow fore.
