I see patterns.

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LEGO bricks.

Annie and I got out for her morning stroll today.

As we crossed the road that serves as one of a few main entryways into our neighborhood, I noticed this pattern in the ADA walkway at the corner on the other side of the street.

The sun was still low in the sky so the small, short bumps cast a long shadow.

They reminded me of LEGOS.

iPhone 8 + Blackie app.

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Messy.

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But essential.

I replaced the seals on the Olympus 35RC Saturday afternoon. It was another hot Texas day, but I had the fan blowing on me while I sat at my work table in the garage.

Removing the old seals was pretty easy, but messy as hell.

I used any and every tool I could find in the studio to scrape off the old seals and adhesive. Q-Tips, tooth picks, and mineral spirits were helpful in coaxing off all that ages old gunk. As was a couple of different X-Acto knives, skewers, and craft sticks.

Getting the new seals on was a bit tricky – fortunately the kit came with two sets of seals. Very helpful!

The trick is brushing on a little Purell hand sanitizer (the kind without moisturizer) to the sticky-back of the new seals, leaving a bit sticky where the seal is first applied.

You’re given a little bit of time to position the new seal, let the purell evaporate, then press the seal into place.

About an hour and a half total. Not bad.

I loaded it up with a 24 exposure roll of Fujifilm Superia X-TRA 400.

If all goes according to plan, I’ll be getting out next week with two local area film shooters. A short trip down to Austin is planned, with preliminary sights on walking the streets around the newish Austin Library. Maybe even go inside. We’ll see.

At ay rate, I have one of my Domke F6 bags filled with a handful of film shooters for the event. The 35RC, an Olympus Stylus Epic, Nikon One•Touch Zoom 90, Sprocket Rocket, the Fujifilm SQ6, and my Minolta XG-1 + 24mm ƒ/2.8.

Should be fun.

Rusty shutters #14.

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Olympus 35 RC.

March 2008.

To be honest, this camera was an impulse eBay buy. I’ve only run one roll of fill through it, a 24 exposure roll of Kodak 160T that I had cross processed.

One good thing about this project is that I’m digging out all these old cameras and playing with them. I recently ordered (and quickly received) a set of replacement light seals and plan to put this camera back in commission soon.

It’s small and light, uses 35mm film, and has a 40mm ƒ/2.8 lens. What’s not to like?

Film type: 35mm
Weight: 14.5 oz
Lens: E. Zuiko 40mm ƒ/2.8 – ƒ/22
Focus: 3′ to infinity
Filter size: 43.5
Shutter speeds: B, 1/15 – 1/500
Viewfinder: Rangefinder
ASA: 25 – 800

Four from the past.

Mystery #1 solved.

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diana

These are the only four out of 16 exposures that came out decent from that undeveloped roll of Fujifilm Neopan Acros 100 I posted about earlier.

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pattern

The others were either too blurry or the light leak from the fat roll made the shot unusable.

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embossed

Still pretty cool.

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go slow

Mystery roll #2.

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Not a clue.

I’m going to develop this and another roll today. I honestly can’t remember what this one’s all about.

I’ll know soon enough, though.

About 9 minutes in D76 1+1. I’ll have to presoak, then put this and the Holga roll of Pan F Plus in the same tank.

I botched the Hassy roll of Pan F Plus trying to get it on the reel. That happened yesterday. Failure happens, lessons learned.

Use what you have, revisited.

scan-comparison.jpgA little experiment.

An update on my adventures last Sunday morning with my Zero Image 6×9 pinhole camera.

I developed the Fujifilm Neopan Acros 100 that was in the camera back on Thursday, along with the *fat roll I posted about last Tuesday… more on the mystery roll soon.

Everything went smoothly with the developing. Stock D76 @ 68º for 7 minutes 15 seconds.

The negatives hung in the hall bathroom until the next day, and they were dry by the time I was ready to scan.

The Epson V500 I have has been a work horse over the years, handling everything I throw at it. But things went south from the beginning on this particular task.

Things went south from the beginning on this particular task…

There’s a white background that snaps in-and-out of the scanner lid, it’s not needed when scanning film. Took it out. Then I pulled out the 120 negative scan tray and loaded up a strip of three shots, set up the scan software per usual, and went through the process of creating a preview before actually scanning.

That’s when things started to go awry. The preview was splitting up the negatives in a way that was totally unusable.

I fiddled with every the setting I could, but the results did not change.

I remembered watching a You Tube video some time ago that showed how to scan a negative as if it were paper. I figured I’d play a bit and put the white background back in the bottom of the lid and removed the negative from the scan tray, placing it emulsion side down so the film curled away from the glass, then ran the software as normal for scanning documents.

Well, that worked. Kind of…

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Intrigued, but not totally satisfied that I couldn’t get the scanner to work properly, I set about fiddling some more. I noticed a button near the bottom of the interface that was labeled “reset” and thought, what the hell, then clicked it.

And this time the machine worked as designed. Happiness.

After a few dialog boxes, everything seemed like normal, so I set the scanner up again for negatives.

And this time the machine worked as designed. Happiness.

Here’s the result…

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I like them both. You can see more detail in the shadows of the first scan, and I like the somewhat distressed appearance. The second, proper scan is very clear (for a pinhole shot) and not as washed out.

It’s a 3 second exposure, taken at the La Frontera shopping mall, from a car wash located in the southeast corner of the property. I asked permission to park and played in an adjacent field, with my tripod and camera set-up in the shadows cast by the fly-over.

Love the lines, curves, and shadows. The sun was still pretty low in the sky and being blocked by the column on the left side of the image.

* a fat roll is when 120 film does not roll tightly around the take-up spool, usually resulting in light leaking to expose the edges of the last few coils at the end of the roll.

Rusty shutters #13.

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Fujifilm X100S.

July 2013.

As soon as it was released, I’d had my eye on the X100 but wasn’t ready to make the purchase.

And then when I was ready, Fukishima happened. So I waited some more, which turned out to be a good thing, because I was able to get my hands on the X100S, its successor.

The X100S is a classic camera in its look, it’s feel, and its operation. Everything you need to operate in full manual mode is available on the outside of the camera. I love that.

The Fujifilm menu system is one of my faves. It’s intuitive and just plain simple to use.

All the buttons and dials on the camera are easy to access and add greatly to the functionality of this camera. Smooth.

The only issue I had was holding the camera comfortably, but a silver LensMate thumb rest took care of that problem.

Plus I added a black Gariz half-case and the silver JJC lens shade.

Fun camera.

Resolution: 16 megapixels
Max image size: 4896 x 3264
Display: 2.8in LCD @ 460,000 pixels
Viewfinder: Electronic and optical, 2,350,000 pixels
ISO: Auto, 80, 100, 200, 400, 800, 1600
Shutter Speeds: 00 sec – 1/4000 sec
Aperture: ƒ/2.4
Focal Length: 35mm
Macro: 3.94in
Metering: Multi-segment, average, spot
Dimensions: 5in x 2.91in x 2.13in
Power: Lithium-Ion NP-95 rechargeable battery
Memory card: SD/SDHC/SDXC