Classical glass.

 

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A little macro action.

I have an adapter that allows me to use old manual-focus Minolta lenses on my micro four thirds cameras.

I made this particular lockdown garden shot – one of three Bulbine’s we have in pots on the back patio – using my Panasonic Lumix DMC-GX8 and a Minolta MD Rokkor X 50mm ƒ/1.4 lens that I’ve had for years.

I shot it square, there’s no cropping, but I did run it through the Urban Acid action, adding a few personal tweaks.

A twilight shot, the camera was pointed into the sun-less early evening sky, I shut it down a bit to get more of the flower and buds in focus – plus a smaller aperture allowed me to move the camera in closer. No flash, all natural light.

Titled “Yellow Bulbine,” I like this shot bunches.

Oh, and sorry about the really poor Mason Williams reference. Sometimes I just can’t help mysef.

Rusty shutters #36.

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Pinholaroid.

September 2008.

Modified Polaroid Colorpack II – 35mm @ ƒ/140. No batteries required!

After removing the lens and shutter, I lopped off a good portion the front, then fitted a neatly cut and trimmed piece of black ABS to cover the resulting hole. This made for a shorter distance to the film plane and a wide angle of view.

I measured for center, then drilled a 4/16″ hole through the front plate. The shutter and shutter-stops came next. I measured for the shutter location, drilled a pilot hole, then attached the shutter with a small brass screw, washer and nut. The stops were super-glued. Super-simple operation.

I cut a 3/4″ square piece of soda can and used a very small sewing needle and a sheet of binder paper folded up a bit and placed beneath it to punch the hole through the aluminum, slowly, sanding the back of the puncture to smooth it out. The pinhole is attached to the inside of the camera with gaffer tape.

I turned the camera upside down and added a viewfinder, using a simple 200 degree peep-hole from Home Depot. I used ABS for the viewfinder support, drilled a hole to accommodate the peep-hole and super-glued the bracket to the camera body. The viewfinder placement is dead center above the pinhole.

Having removed the original Colorpack II viewfinder – which is now on the bottom of the camera – I cut out 6 of pieces of ABS that mimicked the shape of the Manfrotto tripod mount I use, each slightly smaller than the next. I glued them together, then drilled a hole for a 1/4-20 sleeve to attach the Manfrotto mount.

In a stroke of good luck, the pattern on the ABS was a close match to that of the Colorpack II. I finished off the Pinholaroid by painting all the exposed ABS satin black.

A fun little project. I even have a decent stash of Fuji pack-film to use with this camera.

It’s not cheating, is it?

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A $40 experiment.

One of my fave shots from Spring 2020 ‘Roid Week was taken with a Pentax Q10 mirrorless camera and using the Polaroid Lab, printed on Polaroid I-Type instant black and white film.

I noticed a more than a few peeps doing something similar. Very interesting work and great results.

I spotted some black-frame Instax Square film on Amazon. $10 for a box of ten shots – I bought four boxes.

I’ll be taking square black and white shots with my LX100, load them onto the SQ10s miniSD card and print them out in monochrome.

That’ll give me 40 shots to edit down to 12 through between now and the Fall.

‘Roid Week Recap.

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At week’s end.

Here are a number of my absolute faves from 6 days of Spring 2020 ‘Roid Week.

There was tons of great work, so many talented shooters. Check out my Flickr gallery of all 171 personal faves.

The Flickr pool. All 1,284 photos.

IG tags > #roidweek2020 #polaroidweek2020

*Note to self…  Fall ‘Roid Week will happen October 18 – 23, 2020.

WPPD2020

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#4, #4, #4.

Today is Worldwide Pinhole Photography Day.

I’m planning to get out with this guy – my 8Banners Mc – but it’s gonna be a bit of an adventure.

It has a roll of 120 film in it. The first roll I loaded actually, exactly 10 years ago.

The only clue I could find about which film I’d loaded was in a Flickr post for WPPD in 2010. The plan then was to shoot with the Mc, my Zero Image 6×9, plus a Polaroid Colorpack II I’d hacked into a pinhole. I noted that I was using Fuji film in all three.

Yup. As previously noted, there was a roll of Fuji Acros 100 in the Zero Image 6×9, and that leads me to believe the film in the Mc is the same. That roll in the Mc is on picture #4.

I’ll probably bring my Panny GF1/Pinwide combo, too. Just in case things go south with the Mc, I want to make sure I have something to show for the day.

It’ll be perfect weather for shooting ISO100, sunny and low 80s. I plan on avoiding people as much as possible and not wander too far from home.

Like I said, it should be an adventure.

The Blue Set.

Check your settings.

I make mistakes. Some big, some little. Consequences vary, but I always learn from them.

Take for instance these half-dozen shots made back in early 2011. I used my Panny GF1 and a c-mount lens, the SLR Magic Toy Lens 26mm f/1.4, to make a few pictures around the neighborhood.

Love that swirly bokeh. But the blue was a bit of a surprise.

Anyway, as I noted in comments made about the portrait on Flickr “…the blue cast is from my not remembering to switch back to AWB before I headed out for a walk around the block. The Tungsten setting casts blue in daylight. But I think it works in the handful of pictures I posted this afternoon. A lesson, of sorts.” The unusual portrait got a good number of views, a coupla’ faves, and a handful of comments.

I seem to recall noticing what I’d done about 6 pictures into my stroll and changing back to AWB. Oh, well. Interesting results.

The lesson? Check your settings.

 

The party’s over.

 

March 2020 FP4 Party: A few final observations.

It was quite the experience.

I enjoyed every aspect.

It got me out with film cameras, new and old.

I tried a film new to me.

My skill at loading 35mm and 120 film on the Paterson reels continues to improve.

Developing with D76 yielded excellent results.

I found a groove every week.

Looking through Twitter at the #fp4party hashtag for the past 7 days to see what other party-goers posted was a treat.

Followed some new folks, gained a few followers on Twitter, IG, and Flickr.

Thanks to the FP4 Party hosts.

Here are my 7 submissions, last-to-first…

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The gate
Georgetown, TX
Saturday, March 7, 2020
ONDU 6×12 Multiformat pinhole, FP4+ 120, D76
FP4 Party Post Week, Day 7

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Sprinkles
Georgetown, TX
Thursday, March 5, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 6

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Used cars
Thorndale, TX
Friday, March 6, 2020
Hasselblad 500c/m, FP4+ 120, D76
FP4 Party Post Week, Day 5

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Bridge to nowhere
Georgetown, TX
Thursday, March 5, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 4

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The bucket
Round Rock, TX
Monday, March 2, 2020
Hasselblad 500c/m, FP4+ 120, D76
FP4 Party Post Week, Day 3

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9 right
Georgetown, TX
Saturday, March 7, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 2

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Mid-century modern emptiness
Taylor, TX
Friday March 6, 2020
ONDU 6×12 Multiformat pinhole, FP4+ 120, D76
FP4 Party Post Week, Day 1

Necessity…

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… is the mother of invention.

I got out with my new-ish ONDU 6×12 Multiformat pinhole camera a coupla’ weeks back for FP4 Plus Party.

Multiformat means it’ll shoot 6×6, 6×9, or 6×12.

I have a really cool 8Banners Mc pinhole that’s set to shoot square, a shiny Zero Image 6×9, so the ONDU will be dedicated to 6×12.

As previously noted, I shot 6 images with the ONDU. Of the 6, 3 had my fat fingers showing in the right side of the frame. Those shots were roughly 1 second exposures. Super-sunny days. There are lines in the top of the camera that tell you what’ll be in view for each, and my fingers fell into that space.

I’ve come up with a nifty way to get my digits out of the picture.

I used Illustrator to draw up a simple extender. Then I used a low-tack spray adhesive to affix the drawing to a piece of repurposed plastic from my 2019 Office Max calendar cover. I keep everything. The perfect-sized hole was made using simple hole punch. I sanded the edges and tied a piece of ribbon in the hole at the other end.

The rubber band was already in place – it keeps the shutter from opening while the box is in my camera case. Now it can hold the extender in place and serve as tension when using the extender. Easy to put on, take off.

Simple. Used stuff I had. Great solution. Free.

I started posting shots for the FP4 Plus Party on Twitter today.

Fingers.

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Always learning.

Photography is a continual learning experience. Every camera I use – and especially if it’s a first time use – reaps lessons learned.

I got a nifty pinhole camera last year. It’s an ONDU 6×12 Multiformat. What that boils down to is it can shoot 3 ways… 1×1, 6×9, or 6×12.

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6×12 is what I’ll be shooting with this cool walnut wood box.

So, if you’ve been following along, you’re aware that I’m participating in the FP4 Plus Party this month. I loaded the 6×12 with a roll of 120 film.

It made sense to get out to parts of Central Texas that I’ve yet to experience. I drove east of Georgetown past Jonah to CR366, down to Taylor, and then out to Thorndale.

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All those miles traveled, I was able to make 6 images using that one roll.

Of those 6, half managed to capture my fingers closing the shutter. Those images were made with roughly 1 second exposures.

I really like my Zero Image 6×9 pinhole. The shutter assembly makes it possible to use a release cable.

I am digging the 6×12 format though, so I’m gonna have to rig up something to keep my fingers out of the frame of the ONDU 6×12.

Stay tuned.