The party’s over.

 

March 2020 FP4 Party: A few final observations.

It was quite the experience.

I enjoyed every aspect.

It got me out with film cameras, new and old.

I tried a film new to me.

My skill at loading 35mm and 120 film on the Paterson reels continues to improve.

Developing with D76 yielded excellent results.

I found a groove every week.

Looking through Twitter at the #fp4party hashtag for the past 7 days to see what other party-goers posted was a treat.

Followed some new folks, gained a few followers on Twitter, IG, and Flickr.

Thanks to the FP4 Party hosts.

Here are my 7 submissions, last-to-first…

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The gate
Georgetown, TX
Saturday, March 7, 2020
ONDU 6×12 Multiformat pinhole, FP4+ 120, D76
FP4 Party Post Week, Day 7

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Sprinkles
Georgetown, TX
Thursday, March 5, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 6

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Used cars
Thorndale, TX
Friday, March 6, 2020
Hasselblad 500c/m, FP4+ 120, D76
FP4 Party Post Week, Day 5

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Bridge to nowhere
Georgetown, TX
Thursday, March 5, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 4

the-bucket.jpg

The bucket
Round Rock, TX
Monday, March 2, 2020
Hasselblad 500c/m, FP4+ 120, D76
FP4 Party Post Week, Day 3

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9 right
Georgetown, TX
Saturday, March 7, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 2

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Mid-century modern emptiness
Taylor, TX
Friday March 6, 2020
ONDU 6×12 Multiformat pinhole, FP4+ 120, D76
FP4 Party Post Week, Day 1

Necessity…

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… is the mother of invention.

I got out with my new-ish ONDU 6×12 Multiformat pinhole camera a coupla’ weeks back for FP4 Plus Party.

Multiformat means it’ll shoot 6×6, 6×9, or 6×12.

I have a really cool 8Banners Mc pinhole that’s set to shoot square, a shiny Zero Image 6×9, so the ONDU will be dedicated to 6×12.

As previously noted, I shot 6 images with the ONDU. Of the 6, 3 had my fat fingers showing in the right side of the frame. Those shots were roughly 1 second exposures. Super-sunny days. There are lines in the top of the camera that tell you what’ll be in view for each, and my fingers fell into that space.

I’ve come up with a nifty way to get my digits out of the picture.

I used Illustrator to draw up a simple extender. Then I used a low-tack spray adhesive to affix the drawing to a piece of repurposed plastic from my 2019 Office Max calendar cover. I keep everything. The perfect-sized hole was made using simple hole punch. I sanded the edges and tied a piece of ribbon in the hole at the other end.

The rubber band was already in place – it keeps the shutter from opening while the box is in my camera case. Now it can hold the extender in place and serve as tension when using the extender. Easy to put on, take off.

Simple. Used stuff I had. Great solution. Free.

I started posting shots for the FP4 Plus Party on Twitter today.

Fingers.

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Always learning.

Photography is a continual learning experience. Every camera I use – and especially if it’s a first time use – reaps lessons learned.

I got a nifty pinhole camera last year. It’s an ONDU 6×12 Multiformat. What that boils down to is it can shoot 3 ways… 1×1, 6×9, or 6×12.

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6×12 is what I’ll be shooting with this cool walnut wood box.

So, if you’ve been following along, you’re aware that I’m participating in the FP4 Plus Party this month. I loaded the 6×12 with a roll of 120 film.

It made sense to get out to parts of Central Texas that I’ve yet to experience. I drove east of Georgetown past Jonah to CR366, down to Taylor, and then out to Thorndale.

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All those miles traveled, I was able to make 6 images using that one roll.

Of those 6, half managed to capture my fingers closing the shutter. Those images were made with roughly 1 second exposures.

I really like my Zero Image 6×9 pinhole. The shutter assembly makes it possible to use a release cable.

I am digging the 6×12 format though, so I’m gonna have to rig up something to keep my fingers out of the frame of the ONDU 6×12.

Stay tuned.

Cool and dark.

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Life’s about making adjustments.

My extremely rocky re-entry into developing film last year resulted in one botched and one barely salvageable roll of Ilford Pan F Plus, shot with my Hasselblad 500c/m and Holga 120S.

I was using a new dark bag to load the film onto Paterson reels. Even though it was done in an air conditioned room, the amount of heat my nervous and excited hands and arms generated caused enough steam in the bag to make the film stick to itself, totally ruining the Hassy roll.

The Holga roll wasn’t much better. The edges of the film got pretty crinkled, but I managed to feed the whole roll onto the reel without sticking to itself in the process.

Seems like a lot of trouble, huh?

The hall bathroom in our home has a separate water closet with a door. I can close the hall door, get my film rolls, reels, the tank parts, scissors, and any thing else I might need set up on the lid of the plastic tub where all this dev stuff is stored. I then turn off the light over the sinks. It’s easy to move the tub into the closet and close the second door.

It is absolutely dark in there, but I put a rolled up towel at the base of the door, just in case. I also take off my watch. After everything is situated, I sit on the toilet lid with the tub in front of me and turn off the light.

Seems like a lot of trouble, huh?

I haven’t screwed up a single roll since making this change, so the effort is worth it.

Plus, I’ve ditched the dark bag.

Rusty shutters #35.

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Diana Mini.

August 2009.

I already had a Diana 151 when the Lomography folks released this little guy, and I thought adding this 35mm camera to the collection could be fun.

It’s a cool toy that’ll shoot half-frame and square, but I keep it on the square setting.

Loading film is super-easy, and all the controls are quite similar to what you’d find on the Diana 151, so there’s zero learning curve.

I’ve run 3 rolls of Kodak film through it so far, BW400CN, Elite Chrome 100 (XPRO), and Gold 200. All three performed well.

Yet another film camera I need to put a little more effort into using.

Film type: 35mm
Shutter Speeds: ~1/60 – 1/100 sec
Aperture: ƒ/8, ƒ/11
Focal Length: 24mm
Viewfinder: Optical
Focusing: Manual/zone – ~2ft – infinity
Dimensions HWD: 2.8in x 4in x 2.4in

Rusty shutters #34.

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Sony Cyber-shot DSC-RX100 III.

May 2019.

I wanted to bring a few point-and-shoot cameras on our 2-week tour of Portugal and Spain last year, but they had to be small enough to fit in the awesome Peak Design Everyday Sling 5L.

The RX100III was one of three that made the trip.

I like this little shooter a lot. My fave parts are the flip-up LCD, the Zeiss 24-70mm ƒ/1.8 lens, and the lens ring. The macro’s not bad, either.

The camera’s menu system is just okay and the controls are nicely arranged, so using the camera is pretty much a breeze.

I like this little shooter a lot.

I don’t use the viewfinder. No real need. Plus it has the nasty habit of turning off the camera when pushed back into the body.

I added a tasteful Gariz half-case and – since I’m not a big fan of wrist straps – I use an extra neck strap I had, a super-thin Panny with plastic clip/nylon cord connectors. Works perfectly.

Great little digital camera.

Resolution: 20.1 megapixels
Max image size – 5472 x 3648
Display: Tilting 3in LCD @ 1,228,800 pixels
ISO: Auto, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800
Shutter Speeds: 30 sec – 1/2000 sec
Metering: Multi-segment, center-weighted, spot
Focal Length: 24-70mm
Macro: 1.97in
Dimensions WHD: 4in x 2.3in x 1.6in
Weight: 9.28 oz
Power: Sony NP-BX1 lithium-ion rechargeable battery
Memory card: SD/SDHC/SDXC