It’s that time again.

brownie-trio

Shitty, shitty, shitty.

The Shitty Camera Challenge is happening soon. It’ll be a little different than last year, I think, as it’s being touted as the “Quarantine Special” this time ’round.

It lasts from June 1 to August 31, 2020. Not exactly clear about when to post, but I’m sure that’ll all get figured out as time progresses.

I looked on eBay to see if I could find some camera that’d be adequately awful to use, but found zero inspiration. I was about ready to throw in the towel.

Larry found it in the garage when they moved into the house…

Fiddlin’ in the studio I came a cross a handful of old 120 spools, mostly plastic, but one of them was metal. It has the words “KODAK FILM” embossed on both ends. Pretty cool.

It reminded me that I have a 50th Anniversary Kodak Brownie that a neighbor in the old ‘hood gave me. That old thing had a roll of Verichrome Pan in it, which I developed using D76. That’s where the spool came from.

wp-brownie

Of the three pictures that turned out (see top of post), two looked to be from the seventies and one looked earlier, maybe late fifties or early sixties.

Larry found it in the garage when they moved into the house, held onto it until late 2007, when he gave the camera to me.

I also have two rolls of expired film to use, a March 1968 expired roll of Verichrome Pan plus a June 2008 expired roll of Plus-X. The camera shoots ~6×9 so I’ll get 8 shots per roll.

 I’ll probably rig something up so I can compose and shoot horizontally…

Today I dusted it off and cleaned the, uh, viewfinder. It’s really not much of a viewfinder, honestly. I’ll probably rig something up so I can compose and shoot horizontally… you know, landscape.

The little red window that’s supposed to show the picture numbers has faded to a fairly transparent orange-ish yellow, so I made a little flap out of a piece of gaffers to cover-up between advancing shots. Should help.

I think it’ll do. Funky, fun, and free.

Rusty shutters #36.

0000-pinholaroid-35mm-f140

Pinholaroid.

September 2008.

Modified Polaroid Colorpack II – 35mm @ ƒ/140. No batteries required!

After removing the lens and shutter, I lopped off a good portion the front, then fitted a neatly cut and trimmed piece of black ABS to cover the resulting hole. This made for a shorter distance to the film plane and a wide angle of view.

I measured for center, then drilled a 4/16″ hole through the front plate. The shutter and shutter-stops came next. I measured for the shutter location, drilled a pilot hole, then attached the shutter with a small brass screw, washer and nut. The stops were super-glued. Super-simple operation.

I cut a 3/4″ square piece of soda can and used a very small sewing needle and a sheet of binder paper folded up a bit and placed beneath it to punch the hole through the aluminum, slowly, sanding the back of the puncture to smooth it out. The pinhole is attached to the inside of the camera with gaffer tape.

I turned the camera upside down and added a viewfinder, using a simple 200 degree peep-hole from Home Depot. I used ABS for the viewfinder support, drilled a hole to accommodate the peep-hole and super-glued the bracket to the camera body. The viewfinder placement is dead center above the pinhole.

Having removed the original Colorpack II viewfinder – which is now on the bottom of the camera – I cut out 6 of pieces of ABS that mimicked the shape of the Manfrotto tripod mount I use, each slightly smaller than the next. I glued them together, then drilled a hole for a 1/4-20 sleeve to attach the Manfrotto mount.

In a stroke of good luck, the pattern on the ABS was a close match to that of the Colorpack II. I finished off the Pinholaroid by painting all the exposed ABS satin black.

A fun little project. I even have a decent stash of Fuji pack-film to use with this camera.

The party’s over.

 

March 2020 FP4 Party: A few final observations.

It was quite the experience.

I enjoyed every aspect.

It got me out with film cameras, new and old.

I tried a film new to me.

My skill at loading 35mm and 120 film on the Paterson reels continues to improve.

Developing with D76 yielded excellent results.

I found a groove every week.

Looking through Twitter at the #fp4party hashtag for the past 7 days to see what other party-goers posted was a treat.

Followed some new folks, gained a few followers on Twitter, IG, and Flickr.

Thanks to the FP4 Party hosts.

Here are my 7 submissions, last-to-first…

the-gate.jpg

The gate
Georgetown, TX
Saturday, March 7, 2020
ONDU 6×12 Multiformat pinhole, FP4+ 120, D76
FP4 Party Post Week, Day 7

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Sprinkles
Georgetown, TX
Thursday, March 5, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 6

used-cars.jpg

Used cars
Thorndale, TX
Friday, March 6, 2020
Hasselblad 500c/m, FP4+ 120, D76
FP4 Party Post Week, Day 5

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Bridge to nowhere
Georgetown, TX
Thursday, March 5, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 4

the-bucket.jpg

The bucket
Round Rock, TX
Monday, March 2, 2020
Hasselblad 500c/m, FP4+ 120, D76
FP4 Party Post Week, Day 3

nine-right.jpg

9 right
Georgetown, TX
Saturday, March 7, 2020
Smena 8M, FP4+ 35mm, D76
FP4 Party Post Week, Day 2

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Mid-century modern emptiness
Taylor, TX
Friday March 6, 2020
ONDU 6×12 Multiformat pinhole, FP4+ 120, D76
FP4 Party Post Week, Day 1

Necessity…

fingers.jpg

… is the mother of invention.

I got out with my new-ish ONDU 6×12 Multiformat pinhole camera a coupla’ weeks back for FP4 Plus Party.

Multiformat means it’ll shoot 6×6, 6×9, or 6×12.

I have a really cool 8Banners Mc pinhole that’s set to shoot square, a shiny Zero Image 6×9, so the ONDU will be dedicated to 6×12.

As previously noted, I shot 6 images with the ONDU. Of the 6, 3 had my fat fingers showing in the right side of the frame. Those shots were roughly 1 second exposures. Super-sunny days. There are lines in the top of the camera that tell you what’ll be in view for each, and my fingers fell into that space.

I’ve come up with a nifty way to get my digits out of the picture.

I used Illustrator to draw up a simple extender. Then I used a low-tack spray adhesive to affix the drawing to a piece of repurposed plastic from my 2019 Office Max calendar cover. I keep everything. The perfect-sized hole was made using simple hole punch. I sanded the edges and tied a piece of ribbon in the hole at the other end.

The rubber band was already in place – it keeps the shutter from opening while the box is in my camera case. Now it can hold the extender in place and serve as tension when using the extender. Easy to put on, take off.

Simple. Used stuff I had. Great solution. Free.

I started posting shots for the FP4 Plus Party on Twitter today.

Loaded.

plus2-03.jpg

Ready to party.

Three cameras, loaded and ready for FP4 Plus Party. Starting tomorrow.

I may add one more, the tiny Olympus Stylus Epic.

I have a few shots in mind, but mostly I’ll just try to get out as many days as I can and shoot up all these frames… 6 in the Ondu pinhole, 12 in the Hassy, 24 in the Smena 8M.

42 frames over 7 days. Averages out to 6 shots per day.

Should be interesting.

Rusty shutters #35.

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Diana Mini.

August 2009.

I already had a Diana 151 when the Lomography folks released this little guy, and I thought adding this 35mm camera to the collection could be fun.

It’s a cool toy that’ll shoot half-frame and square, but I keep it on the square setting.

Loading film is super-easy, and all the controls are quite similar to what you’d find on the Diana 151, so there’s zero learning curve.

I’ve run 3 rolls of Kodak film through it so far, BW400CN, Elite Chrome 100 (XPRO), and Gold 200. All three performed well.

Yet another film camera I need to put a little more effort into using.

Film type: 35mm
Shutter Speeds: ~1/60 – 1/100 sec
Aperture: ƒ/8, ƒ/11
Focal Length: 24mm
Viewfinder: Optical
Focusing: Manual/zone – ~2ft – infinity
Dimensions HWD: 2.8in x 4in x 2.4in

Rusty shutters #34.

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Sony Cyber-shot DSC-RX100 III.

May 2019.

I wanted to bring a few point-and-shoot cameras on our 2-week tour of Portugal and Spain last year, but they had to be small enough to fit in the awesome Peak Design Everyday Sling 5L.

The RX100III was one of three that made the trip.

I like this little shooter a lot. My fave parts are the flip-up LCD, the Zeiss 24-70mm ƒ/1.8 lens, and the lens ring. The macro’s not bad, either.

The camera’s menu system is just okay and the controls are nicely arranged, so using the camera is pretty much a breeze.

I like this little shooter a lot.

I don’t use the viewfinder. No real need. Plus it has the nasty habit of turning off the camera when pushed back into the body.

I added a tasteful Gariz half-case and – since I’m not a big fan of wrist straps – I use an extra neck strap I had, a super-thin Panny with plastic clip/nylon cord connectors. Works perfectly.

Great little digital camera.

Resolution: 20.1 megapixels
Max image size – 5472 x 3648
Display: Tilting 3in LCD @ 1,228,800 pixels
ISO: Auto, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800
Shutter Speeds: 30 sec – 1/2000 sec
Metering: Multi-segment, center-weighted, spot
Focal Length: 24-70mm
Macro: 1.97in
Dimensions WHD: 4in x 2.3in x 1.6in
Weight: 9.28 oz
Power: Sony NP-BX1 lithium-ion rechargeable battery
Memory card: SD/SDHC/SDXC