And a Polaroid 405 back, not t’mention a healthy stash of fuji peel-apart.
And a shade cloth.
And a Toyo focusing loupe.
And light meters.
And a sturdy old Calumet tripod.
Using all that was one of 2020’s goals.
Getting out with all this stuff is now a 2021 goal.
Wish me luck.
** I also ordered that cool LomoGraflok 4×5 instant back (and 10 2-packs of Instax Wide film. That’s 200 shots!). Their site lists an April 2021 ship date – here’s hoping it arrives before Spring ‘Roid Week, which starts on 4/18. Fingers crossed!
I made four instant shots in-between setting up and shooting with the pinholes.
I was quite happy with one particular instant and posted it on my film IG, @dogbonesoup
The other three didn’t seem to capture the story, how I feel, or what I liked about this location and vantage point.
This was back in July 2019. Over a year ago.
This past week I’ve looked back again at the instants from that morning – they’re in a stack of various sized instant shots on my desk I need to organize and store – and what caught my eye this time around was a different shot that was a little overexposed and somewhat blown out.
My position in relation to the sun had changed, and when I moved I lost the shade from the structure.
My position in relation to the sun had changed, and when I moved I lost the shade from the structure. That also means that a couple of these instants were overexposed because I didn’t change the settings on the camera accordingly.
Anyway, today I scanned the two that illustrated the point I’m trying make, here…
Looking at the two scans side-by-side, I am drawn to the dream-like feel of the overexposed shot.
The good exposure, while nicely composed, looks a little tame. Staid. A well documented structure. Very little emotion.
In contrast, the overexposed instant has so much more going for it. I holds a story. Feeling. Nostalgia. Mystery. A sense of wanderlust.
I love that this shot has a toy-camera vibe to it. I guess stepping out of that shadow proved to be a good thing.