K-scope, revisited.

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Hexagon city.

I had one of those days yesterday.

The weather was funky. Grey, foggy, drizzly. I didn’t want to leave the house. At all.

So I played indoors. It’s been a while since I put together the Leica D-Lux 4 and the toy kaleidoscope I keep in my studio.

Play. Play. Play.

I fiddled with that cool little combo for hours. Patterns, shapes, color. So much fun.

Play. Play. Play.

I attended a talk in the Spring of 1998 put on by the UCSC Extension in Mountain View, CA. The speaker was digital artist David Biedny.

It was part of their Creativity in the Digital Age series. I don’t remember much about the talk in general, but the one thing he said that evening that’s stuck with me all these years was that creativity and play go hand-in-hand.

So true.

A pair of Jacks.

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Macro Jacks, that is.

Diggin’ ’round in the archive. These are from May 2013.

A pair of shots, one made with the Olympus E-PL3, an extension tube, and the Lensbaby Composer Pro + Sweet 35, the other made with the Panasonic Lumix DMC-GF1 and the Wanderlust Pinwide.

Cool that I wrote about how I made the Pinwide shot on Flickr. “I found it while I was out back watering the roses. It was corroded and covered in dirt. I cleaned it up a bit with water from the hose and let it dry.”

It was corroded and covered in dirt.

“I took the picture later in the day. The sun was on its way down allowing a sliver of light to peek under our old and slightly uneven garage door. I got the shot by laying on the garage floor with the Pinwide less than an inch away from the jack.”

I love the shadow and contrast, not to mention that gorgeous blurry bokeh at the top and swirl at the bottom of the EPL-3 shot. Pretty cool.

Diggin’ ’round in the dirt has its rewards. Same with the archives!

 

Bookin’.

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… and lookin’ so fly.

The Shutterfly book I put together using pictures from our Portugal/Spain trip arrived in the mail last week.

Except for a few text alignment issues and me not making the shot on the front cover large enough, it turned out pretty nice.

Love the materials they used for this basic order. The cover is quite thick, nice and glossy. The pages are sturdy and semi-matte finished.

I’m happy with the results.

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Practice makes perfect.

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Seeing makes pictures.

I attended last night’s NAPƒS meeting to hear Ted Keller talk about “The Value of Practice.” It was a good talk and his experience with teaching/training was apparent.

It struck me how many of his theories and methods I’ve unconsciously used in my years of playing with cameras.

I am not a classically train photographer. I learn (even to this day) by research, applied practice, and a whole lot of intuition.

I like to play. Experiment. I also spend a lot of time looking at the work of other photographers. I read about photography. I watch videos. I make a lot of pictures.

And that’s where my interest in photography starts… with the picture.

… I’m convinced that paying attention, being in the moment, and seeing is even more critical.

Sure, knowing how to use a camera is important, but I’m convinced that paying attention, being in the moment, and seeing is even more critical.

I’m more interested in the act of making a photograph than I am in the technical details of operating a camera. I find that using extremely simple film cameras – like the Agfa Click I or the Vivitar Ultra Wide and Slim is a liberating experience.

See. Point. Shoot.

Modern cameras – in all their complexity – can be intimidating. And unforgiving. So Ted’s insistence that practice prepares one for being ready is absolutely true.

Just don’t forget to look around or you might miss the shot you were practicing to get.

One last thing… the member print exhibit. Patti Mitchell’s concert shots were stellar. To paraphrase Bill Bunton, “It’s easy to see why she consistently wins in the competition every month.”

Note: The last photo club meeting I attended was the second Monday back in September, the Round Rock Image Creators. I’ve only attended one Round Rock Photography Club meeting. Now that NAPƒS has split the competition to 1st Thursday and the Speaker to 3rd Thursday I’ll have to weigh which club gets my eyes and ears in 2020. Bummer.

My latest film camera crush.

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PENTACON six TL.

The PENTACON six TL is my current film camera crush. 120. Love the square.

The 9 shots above are examples I snagged from Flickr. No attributions, sorry, but here’s the Flickr group photo pool >
https://www.flickr.com/groups/pentaconsix/pool/

Here’s the tag if you want to see more pictures on IG >
https://www.instagram.com/explore/tags/pentaconsix/

… and here’s a fairly critical review >
https://www.thephoblographer.com/2017/07/25/vintage-film-camera-review-pentacon-six-tl-6×6-square-format/

And a good guide >
https://emulsive.org/reviews/camera-reviews/pentacon-cameras/camera-review-pentacon-six-tl-a-hopefully-comprehensive-guide-to-a-legend-by-ludwig-hagelstein

I definitely wouldn’t mind adding this medium format shooter to my collection…

Every once in a great while.

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Not often, but…

Every once in a while an image I’ve made gets a little attention.

One of my pinhole images was published in SHOTS Magazine, Fall 2019 Issue No. 145 “The Journey.”

It’s 35/45, the picture I made with the Zero Image 6×9 and an expired roll of Fuji Acros 100. The story of this pinhole adventure/experiment is well documented in an earlier post.

I pointed to the same same post when I uploaded the image to Flickr.

To my delight, the picture in that post ended up on Flickr’s Explore, which is something that hasn’t happened for my work in a really long time.

I noticed it earlier this month. Any comments on Flickr are rare these days and the notification made me check it out. At the time there were 58 faves. Crazy. The comments indicated the picture made Explore.

I went there, scrolled through until I found the image. Verification! Pretty cool!

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As of today “35/45. a little experiment” has 9,121 views, 75 faves, and 4 comments.

Amazing.

I make images to satisfy a personal need, but it certainly is nice to have this kind of reaction to my work. And I appreciate it.

Four from the past.

Mystery #1 solved.

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diana

These are the only four out of 16 exposures that came out decent from that undeveloped roll of Fujifilm Neopan Acros 100 I posted about earlier.

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pattern

The others were either too blurry or the light leak from the fat roll made the shot unusable.

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embossed

Still pretty cool.

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go slow