A $40 experiment…

… continued.

Fall 2020 ‘Roid Week is October 18-23, a month and a half away.

It’s my fave photo-event and I’m looking forward to seeing a lot of awesome instant photography from its many participants. So much talent. Check out a Flickr Gallery of my faves from April…

I’ve made good progress with the LX100/SQ10 project.

To start the experiment, I printed a few black and white shots on regular Instax Square film, taken using the LX100 just to see if the idea was feasible.

It was. The three shots above were proof enough.

Over the last month and a half I’ve printed a handful of decent shots, scanned a few, and still have a coupla’ packs of Instax Black to use before ‘Roid Week gets here.

Every shot had differently lighting, so a consistent process was never really an option, but I still managed to get some satisfying results.

Plus, I haven’t wasted toooooo many shots.

It’s been interesting.

One more.

EZPZ.

Another example of using my iPhone 8 and the @pixllatr to digitize a black and white negative. It’s working quite nicely.

This shot’s from 2006, Billetproof Antioch. Hasselblad 500cm/80mm + Fuji Neopan Acros 100.

Previously unpublished, love all that shiny chrome.

Pixl-latr.

First impressions.

This is my first attempt at using Hamish Gill’s @pixllatr.

I used my iPhone 8, hand held, to make the image. The light source was my 9×12 Artograph lightbox.

I used a mask that I made from chipboard to block out any extraneous light (I’m already thinking of ways to make that gizmo and process a little smoother).

I transfered the shot to my Mac Mini via AirDrop, opened the image in Photoshop, converted to black and white, used the Transform/Skew tool to square it up, then adjusted levels.

The results look pretty darned good. An absolute success.

Side note… I made this image back in 2006 with my Holga 120N using Ilford HP5+ 400. The shot was made in downtown San Jose, CA in front of the convention center on West San Carlos Street, directly across from the main office of The Tech Museum of Innovation, where I worked at the time.

The film was developed by Calypso Imaging, a Santa Clara company that went under not long after these negs were developed. Like many companies at the time, the advent of digital cameras was disastrous for the film industry.

I started developing my own black and white film soon thereafter.

Circle. Square.

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Yet another photographic obsession.

In my travels with cameras, I discover a lot of round or circular objects, and since my fave and probably most frequently used aspect ratio in photography is the square, I’ll center these objects and make a photo.

Here’s a montage I put together of 16 faves.

I also assembled an album with 88 examples of circle/square on Flickr, check it out…

Flashlight.

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Used nightly.

Taken with my Panasonic Lumix DMC-LX100, using the Dynamic B&W setting. It. Is. Awesome.

Handy tool for taking Annie out back at night.

I’m clearly drawn to round or circular objects centered in a square. I’ll dig through the archives and see if I can’t put together a montage.

It’s that time again.

brownie-trio

Shitty, shitty, shitty.

The Shitty Camera Challenge is happening soon. It’ll be a little different than last year, I think, as it’s being touted as the “Quarantine Special” this time ’round.

It lasts from June 1 to August 31, 2020. Not exactly clear about when to post, but I’m sure that’ll all get figured out as time progresses.

I looked on eBay to see if I could find some camera that’d be adequately awful to use, but found zero inspiration. I was about ready to throw in the towel.

Larry found it in the garage when they moved into the house…

Fiddlin’ in the studio I came a cross a handful of old 120 spools, mostly plastic, but one of them was metal. It has the words “KODAK FILM” embossed on both ends. Pretty cool.

It reminded me that I have a 50th Anniversary Kodak Brownie that a neighbor in the old ‘hood gave me. That old thing had a roll of Verichrome Pan in it, which I developed using D76. That’s where the spool came from.

wp-brownie

Of the three pictures that turned out (see top of post), two looked to be from the seventies and one looked earlier, maybe late fifties or early sixties.

Larry found it in the garage when they moved into the house, held onto it until late 2007, when he gave the camera to me.

I also have two rolls of expired film to use, a March 1968 expired roll of Verichrome Pan plus a June 2008 expired roll of Plus-X. The camera shoots ~6×9 so I’ll get 8 shots per roll.

 I’ll probably rig something up so I can compose and shoot horizontally…

Today I dusted it off and cleaned the, uh, viewfinder. It’s really not much of a viewfinder, honestly. I’ll probably rig something up so I can compose and shoot horizontally… you know, landscape.

The little red window that’s supposed to show the picture numbers has faded to a fairly transparent orange-ish yellow, so I made a little flap out of a piece of gaffers to cover-up between advancing shots. Should help.

I think it’ll do. Funky, fun, and free.

WPPD2020

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#4, #4, #4.

Today is Worldwide Pinhole Photography Day.

I’m planning to get out with this guy – my 8Banners Mc – but it’s gonna be a bit of an adventure.

It has a roll of 120 film in it. The first roll I loaded actually, exactly 10 years ago.

The only clue I could find about which film I’d loaded was in a Flickr post for WPPD in 2010. The plan then was to shoot with the Mc, my Zero Image 6×9, plus a Polaroid Colorpack II I’d hacked into a pinhole. I noted that I was using Fuji film in all three.

Yup. As previously noted, there was a roll of Fuji Acros 100 in the Zero Image 6×9, and that leads me to believe the film in the Mc is the same. That roll in the Mc is on picture #4.

I’ll probably bring my Panny GF1/Pinwide combo, too. Just in case things go south with the Mc, I want to make sure I have something to show for the day.

It’ll be perfect weather for shooting ISO100, sunny and low 80s. I plan on avoiding people as much as possible and not wander too far from home.

Like I said, it should be an adventure.

FP4 Plus Party, Dev Week part one.

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Smena 8M + 35mm.

This was my first time out with the Smena. It’s a quirky little Russian camera. Plastic. Toy-like, if not for the fact that it has apertures and shutter speeds and a cocking shutter.

I put gaffer tape over the seams on the lid to the film compartment just in case of light leaks. The viewfinder is pretty close to useless.

Results…
– 27 shots out of a 24 shot roll. Cool.
– 1 accidental double exposure.
– A few underexposed, a few overexposed.
– A handful of not perfectly exposed.
– Bunches not quite framed up the way I’d intended.

Can’t really tell about focus, but there are probably a few keepers, and I’ll know which to submit next week once I run them through the scanner.

Tomorrow.

This is an iPhone shot of the negs, cut and slipped into a negative preserver, placed on an LED light pad, inverted in Photoshop.

Today I’ll tackle the 120 film development.

Loaded.

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Ready to party.

Three cameras, loaded and ready for FP4 Plus Party. Starting tomorrow.

I may add one more, the tiny Olympus Stylus Epic.

I have a few shots in mind, but mostly I’ll just try to get out as many days as I can and shoot up all these frames… 6 in the Ondu pinhole, 12 in the Hassy, 24 in the Smena 8M.

42 frames over 7 days. Averages out to 6 shots per day.

Should be interesting.