It’s that time again.

brownie-trio

Shitty, shitty, shitty.

The Shitty Camera Challenge is happening soon. It’ll be a little different than last year, I think, as it’s being touted as the “Quarantine Special” this time ’round.

It lasts from June 1 to August 31, 2020. Not exactly clear about when to post, but I’m sure that’ll all get figured out as time progresses.

I looked on eBay to see if I could find some camera that’d be adequately awful to use, but found zero inspiration. I was about ready to throw in the towel.

Larry found it in the garage when they moved into the house…

Fiddlin’ in the studio I came a cross a handful of old 120 spools, mostly plastic, but one of them was metal. It has the words “KODAK FILM” embossed on both ends. Pretty cool.

It reminded me that I have a 50th Anniversary Kodak Brownie that a neighbor in the old ‘hood gave me. That old thing had a roll of Verichrome Pan in it, which I developed using D76. That’s where the spool came from.

wp-brownie

Of the three pictures that turned out (see top of post), two looked to be from the seventies and one looked earlier, maybe late fifties or early sixties.

Larry found it in the garage when they moved into the house, held onto it until late 2007, when he gave the camera to me.

I also have two rolls of expired film to use, a March 1968 expired roll of Verichrome Pan plus a June 2008 expired roll of Plus-X. The camera shoots ~6×9 so I’ll get 8 shots per roll.

 I’ll probably rig something up so I can compose and shoot horizontally…

Today I dusted it off and cleaned the, uh, viewfinder. It’s really not much of a viewfinder, honestly. I’ll probably rig something up so I can compose and shoot horizontally… you know, landscape.

The little red window that’s supposed to show the picture numbers has faded to a fairly transparent orange-ish yellow, so I made a little flap out of a piece of gaffers to cover-up between advancing shots. Should help.

I think it’ll do. Funky, fun, and free.

WPPD2020

8banners-mc.jpg

#4, #4, #4.

Today is Worldwide Pinhole Photography Day.

I’m planning to get out with this guy – my 8Banners Mc – but it’s gonna be a bit of an adventure.

It has a roll of 120 film in it. The first roll I loaded actually, exactly 10 years ago.

The only clue I could find about which film I’d loaded was in a Flickr post for WPPD in 2010. The plan then was to shoot with the Mc, my Zero Image 6×9, plus a Polaroid Colorpack II I’d hacked into a pinhole. I noted that I was using Fuji film in all three.

Yup. As previously noted, there was a roll of Fuji Acros 100 in the Zero Image 6×9, and that leads me to believe the film in the Mc is the same. That roll in the Mc is on picture #4.

I’ll probably bring my Panny GF1/Pinwide combo, too. Just in case things go south with the Mc, I want to make sure I have something to show for the day.

It’ll be perfect weather for shooting ISO100, sunny and low 80s. I plan on avoiding people as much as possible and not wander too far from home.

Like I said, it should be an adventure.

FP4 Plus Party, Dev Week part one.

smena8m-fp4plus-35mm-27.jpg

Smena 8M + 35mm.

This was my first time out with the Smena. It’s a quirky little Russian camera. Plastic. Toy-like, if not for the fact that it has apertures and shutter speeds and a cocking shutter.

I put gaffer tape over the seams on the lid to the film compartment just in case of light leaks. The viewfinder is pretty close to useless.

Results…
– 27 shots out of a 24 shot roll. Cool.
– 1 accidental double exposure.
– A few underexposed, a few overexposed.
– A handful of not perfectly exposed.
– Bunches not quite framed up the way I’d intended.

Can’t really tell about focus, but there are probably a few keepers, and I’ll know which to submit next week once I run them through the scanner.

Tomorrow.

This is an iPhone shot of the negs, cut and slipped into a negative preserver, placed on an LED light pad, inverted in Photoshop.

Today I’ll tackle the 120 film development.

Loaded.

plus2-03.jpg

Ready to party.

Three cameras, loaded and ready for FP4 Plus Party. Starting tomorrow.

I may add one more, the tiny Olympus Stylus Epic.

I have a few shots in mind, but mostly I’ll just try to get out as many days as I can and shoot up all these frames… 6 in the Ondu pinhole, 12 in the Hassy, 24 in the Smena 8M.

42 frames over 7 days. Averages out to 6 shots per day.

Should be interesting.

Party on!

ilford-fp4plus-1080.jpg

Ilford FP4 Plus party.

This’ll be my first FP4 Plus Party, and in more ways than one – I’ve not used the film before.

The plan: 6 shots in the Ondu 6×12 Multiformat pinhole, 12 shots in the Hasselblad 500c/m, 24 shots in the Smena 8M.

I’ll need to mix up a fresh batch of D76.

It seems this is primarily a Twitter thing, but I’ll post a few scans here and eventually post a few faves on @dogbonesoup, too.

March 2-8: shoot week
March 9-15: dev/scan week
March 16-22: post week
March 23-29: lamentation week

Should be fun.

Fiddlin’…

1600-bnw-02-1080.jpg

… in the digital darkroom.

I played around with one of my shots from last Sunday’s car show over in Round Rock at Centennial Plaza. This is the badge and right front-end of a silver colored Porsche 1600/356. 1956, I’m guessing.

The original photo was color, taken using the vivid setting available in the Sony RX100M3.

I use an older version of Photoshop, CS5 Extended, or Photoshop 12. I haven’t yet fully embraced Adobe’s subscription model and this rather old version still works on my trusty old 2012 Mac Mini.

1600-side-by-side-1080.jpg

I have the free version of the NIK software bundle installed and use it often for both color and black and white edits.

I haven’t yet fully embraced their subscription model…

For this shot, I used the Silver Efex Pro 2/030 Film Noir 1 filter to make the conversion to BNW. Love the grain from this filter. There are plenty of settings to mess with, including film types, vignette, and brightness/contrast. I also removed the image border.

Next I used the Photoshop burn tool to darken up the letter “P” at the top of the badge. I was pretty much shooting into the sun at ƒ/1.8 and a it got a little blown out, but there was enough there to recover.

I like that blown-out area to the left of the badge, framed by the badge and the curve of the fender, with the trees in the background and the fender’s shadow fore.

A pair of Jacks.

pair-of-jacks.jpg

Macro Jacks, that is.

Diggin’ ’round in the archive. These are from May 2013.

A pair of shots, one made with the Olympus E-PL3, an extension tube, and the Lensbaby Composer Pro + Sweet 35, the other made with the Panasonic Lumix DMC-GF1 and the Wanderlust Pinwide.

Cool that I wrote about how I made the Pinwide shot on Flickr. “I found it while I was out back watering the roses. It was corroded and covered in dirt. I cleaned it up a bit with water from the hose and let it dry.”

It was corroded and covered in dirt.

“I took the picture later in the day. The sun was on its way down allowing a sliver of light to peek under our old and slightly uneven garage door. I got the shot by laying on the garage floor with the Pinwide less than an inch away from the jack.”

I love the shadow and contrast, not to mention that gorgeous blurry bokeh at the top and swirl at the bottom of the EPL-3 shot. Pretty cool.

Diggin’ ’round in the dirt has its rewards. Same with the archives!

 

BNW.

5-fave-bnw-ig.jpg

Five of my favorite black and white film photographers on Instagram.

There is so much talent out there!

I’ll be using this platform for sharing some of the artists I come across on social media, people whose work I find compelling.

To kick it off, here are five photographers whose work I see regularly from my Dog Bone Soup IG account. Give them a visit, give them a follow.

> Roberto Gandolfi (@robganda)

> Dikal (@dikalphoto)

> David Johnston (@davidjohnston_diana)

> Liz Potter (@lizpotterphotography)

> Sophie Caretta (@sophiecaretta)

Mystery roll #2.

mystery-roll-2.jpg

Not a clue.

I’m going to develop this and another roll today. I honestly can’t remember what this one’s all about.

I’ll know soon enough, though.

About 9 minutes in D76 1+1. I’ll have to presoak, then put this and the Holga roll of Pan F Plus in the same tank.

I botched the Hassy roll of Pan F Plus trying to get it on the reel. That happened yesterday. Failure happens, lessons learned.

Use what you have, revisited.

scan-comparison.jpgA little experiment.

An update on my adventures last Sunday morning with my Zero Image 6×9 pinhole camera.

I developed the Fujifilm Neopan Acros 100 that was in the camera back on Thursday, along with the *fat roll I posted about last Tuesday… more on the mystery roll soon.

Everything went smoothly with the developing. Stock D76 @ 68º for 7 minutes 15 seconds.

The negatives hung in the hall bathroom until the next day, and they were dry by the time I was ready to scan.

The Epson V500 I have has been a work horse over the years, handling everything I throw at it. But things went south from the beginning on this particular task.

Things went south from the beginning on this particular task…

There’s a white background that snaps in-and-out of the scanner lid, it’s not needed when scanning film. Took it out. Then I pulled out the 120 negative scan tray and loaded up a strip of three shots, set up the scan software per usual, and went through the process of creating a preview before actually scanning.

That’s when things started to go awry. The preview was splitting up the negatives in a way that was totally unusable.

I fiddled with every the setting I could, but the results did not change.

I remembered watching a You Tube video some time ago that showed how to scan a negative as if it were paper. I figured I’d play a bit and put the white background back in the bottom of the lid and removed the negative from the scan tray, placing it emulsion side down so the film curled away from the glass, then ran the software as normal for scanning documents.

Well, that worked. Kind of…

reg-scan.jpg

Intrigued, but not totally satisfied that I couldn’t get the scanner to work properly, I set about fiddling some more. I noticed a button near the bottom of the interface that was labeled “reset” and thought, what the hell, then clicked it.

And this time the machine worked as designed. Happiness.

After a few dialog boxes, everything seemed like normal, so I set the scanner up again for negatives.

And this time the machine worked as designed. Happiness.

Here’s the result…

neg-scan.jpg

I like them both. You can see more detail in the shadows of the first scan, and I like the somewhat distressed appearance. The second, proper scan is very clear (for a pinhole shot) and not as washed out.

It’s a 3 second exposure, taken at the La Frontera shopping mall, from a car wash located in the southeast corner of the property. I asked permission to park and played in an adjacent field, with my tripod and camera set-up in the shadows cast by the fly-over.

Love the lines, curves, and shadows. The sun was still pretty low in the sky and being blocked by the column on the left side of the image.

* a fat roll is when 120 film does not roll tightly around the take-up spool, usually resulting in light leaking to expose the edges of the last few coils at the end of the roll.